PETJA NOVAK IN MATEJ ČEPI SLOVENSKI PLAGIATORJI
PETJA NOVAK IN MATEJ ČEPI SLOVENSKI PLAGIATORJI RAZSTAVLJENI, KI RAZSTAVLJAJO ALI PA SO NAGRAJENI NA PIRANSKIH SLIKARSKIH EX-TEMPORAH, OBALNE GALERIJE PIRAN 2014 IN 2015
Thank you - seems like such a shame it is very clear that this idea was from my original art even the drips of paint my goodness! Is there a link to the gallery that I should make a complaint?
Thank you again,
Erin Ashley Wattlley-Rice
Email: erinashleyartist@gmail.com
http://www.uil-sipo.si/
https://
http://www.piran.si/
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Kontakti
Razstavišča:
Mestna galerija Piran, Tartinijev trg 3, 6330 Piran, telefon: +386 (0)5 67 12 080
Galerija Loža Koper, Titov trg 1, 6000 Koper, +386 (0)5 62 74 171
Galerija Meduza, Čevljarska 34, 6000 Koper,+ 386 (0)5 62 74 837, e-naslov
Galerija Herman Pečarič, Leninova 2, 6330 Piran, +386 (0)5 67 30 660
Galerija Meduza 2, Cankarjevo nabrežje 7, 6330 Piran
Uprava:
v.d. ravnateljica: Jelka Pečar
Tartinijev trg 3, 6330 Piran, telefon: +386 (0)5 67 12 080, fax: +386 (0)5 67 12 090, e-naslov
Bogdana Kovač, e-naslov
Kustosi:
Koper
Kettejeva 1, fax: +386 (0)5 62 74 322
Majda Božeglav Japelj, +386 (0)5 62 74 080, e-naslov
Galerija Meduza, Čevljarska 34
Tatjana Sirk: +386 (0)5 62 74 837, e-naslov
Piran
Tartinijev trg 3, +386 (0)5 67 12 080
Nives Marvin: e-naslov
Contacts
exhibition:
The Town Gallery Piran, Tartinijev trg 3, 6330 Piran, phone: +386 (0) 5 67 12 080
Loggia Gallery Koper, Titov trg 1, 6000 Koper, +386 (0) 5 62 74 171
Gallery Meduza, Cobbler 34, 6000 Koper, +386 (0) 5 62 74 837, e-mail
Gallery Herman Pečarič, Lenin 2, 6330 Piran, +386 (0) 5 67 30 660
Gallery Meduza 2, Cankar Quay 7, 6330 Piran
Administration:
v.d. Headmistress: Spruce Pečar
Tartinijev trg 3, 6330 Piran, phone: +386 (0) 5 67 12 080, fax: +386 (0) 5 67 12 090, e-mail
Bogdan Kovac, e-mail
curators:
Koper
Kette 1, fax: +386 (0) 5 62 74 322
Majda Božeglav Japelj, +386 (0) 5 62 74 080, e-mail
Gallery Meduza, Cobbler 34
Tatjana Sirk: +386 (0) 5 62 74 837, e-mail
Piran
Tartini Square 3, +386 (0) 5 67 12 080
Nives Marvin: e-mail
NAGRADE XLIX. mednarodni slikarski ex-tempore
Mednarodna strokovna žirija v sestavi:
- Eugen Borkovsky (Hrvaška / Croazia / Croatia)
- Lorena Matic (Italija / Italia / Italy)
- Nives Marvin (Slovenija / Slovenia / Slovenia)
- Majda Božeglav Japelj (tajnica /segretaria / secretary)
Žirija je izvolila predsednika žirije Eugena Borkovski in potrdilo tajnico žirije Majdo Božeglav Japelj.
Na mednarodni slikarski ex-tempore se je prijavilo 245 udeležencev. Oddanih je bilo 219 likovnih del. Razstava je postavljena v prostorih Mestne galerije Piran. Razstavljenih je 93 del.
NAGRADA NA PAPIRJU
1. Odkupno nagrado za delo na papirju, ki jo podeljuje zasebni zbiratelj iz Portoroža prejme Branka Pirc.
2. Veliko nagrado za delo na papirju, ki jo podeljuje zavarovalna družba Adriatic Slovenica Koper, ki jo bo podelil Borut Širca in jo prejme Pavle Ščurk.
POSEBNE NAGRADE
1. Galerija Fonticus Grožnjan razpisuje nagrado, ki jo je izbrala mednarodna strokovna žirija in je v obliki razstave v galeriji Fonticus, podelil jo bo Eugen Borkovski, prejme pa jo Jure Zrimšek.
2. Nagrado podjetja Top line Portorož, ki je v obliki izleta, prejme Vanja Repič, podelil jo bo Žiga Uhelj.
3. Mamieri in trgovine Art Ljubljana razpisujejo nagrado v obliki slikarskega materiala, prejme Cirilo Murer.
HOTELSKE IN PENZIONSKE NAGRADE
1. Nagrado hotelsko-turističnega podjetja Belvedere iz Izole, ki jo je izbrala mednarodna strokovna žirija,prejme Ivan Stojan Rutar.
2. Nagrado Hotela Tartini Piran, ki jo bo podelila ga. Andreja Frelih prejme Mirjana Matić.
3. Nagrado podjetja Piranesi iz Pirana bo podelil g. Drago Papež, prejme pa jo Peter Ciuha.
ODKUPNE NAGRADE
1. Podjetje Marovt iz Stranic podeljuje dva nagradi, prejmeta ju Zlatko Prah in Azad Karim.
2. Nagrado podjetja Casino Riviera prejme Goranka Supin.
VELIKE HOTELSKE NAGRADE
1. Nagrado podjetja Dvor Tacen Ljubljana bo podelil Matjaž Vilfan in jo prejme Benjamin Žnidaršič.
2. Nagrado hotelov Bernardin prejme Simon Kastelic.
3. Nagrado Hotela Piran in hotela Evropa bo izročil gospod Aleksander Pinter, prejme jo Peter Karger.
POSEBNA VELIKA NAGRADA
1. Nagrado razpisujejo trgovine ART in je v obliki slikarskega materiala prejme jo Igor Banfi.
VELIKI ODKUPNE NAGRADE - po izboru strokovne žirije
1. Veliko nagrado Mestne občine Koper bo podelil Gašper Gašpar Mišič, prejme jo Milan Marin.
2. Veliko nagrado Komunale Koper bopodelil Gašpar Gašpar Mišič, prejme pa jo Fulvia Zudič.
3. Veliko nagrado Splošne plovbe Portorož prejme Petar Lazarević.
4. Veliko nagrado Občine Piran bo izročil župan Občine Piran, g. Peter Bossman, prejme pa jo Štefan Brezovnik.
Odkupno nagrado za najboljše delo avtorja starega do 35 let, je izbrala mednarodna strokovna žirija. Nagrada je v obliki samostojne razstave v piranski galeriji Herman Pečarič. Podeljujejo jo Obalne galerije Piran, prejme jo Nina Koželj iz Strahovice.
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Častna priznanja žirije prejmejo:
Igor Lekšić
Jure Zrimšek
Burhan Hadžialjević
Matjaž Borovničar
Silvana Konjevoda
Peter Ciuha
Matej Pečenik
Metka Pepelnak
Branka Pirc
GRAND PRIX XLIX. mednarodnega slikarskega ex-tempora, je izbrala mednarodna strokovna žirija in ga podeljujejo Obalne galerije Piran. Prejme ga Nicola Tomasi iz Gorice.
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Obrazložitev:
Veliku nagradu 49. EX TEMPORE Piran dobiva rad autora NICOLA TOMASI iz GORICE sa nazivom Building F4.
Radi se o kolažiranom slikarskom djelu većih dimenzija. Rad asocira začudno arhitektonsko, urbano okruženje. Autor želi postići dojam dramatičnosti pa nudi izrezak, detalj mogućeg kadra. Uz to poseže za zakošenjem i ritmiziranim rasporedom elemenata, izazivajući nadrealni doživljaj.
Rad možemo tumačiti kao artističku interpretaciju glomaznih nečovječnih ljudskih naselja. Ona su u ideji praktična ali se u praksi pokazuju kao nehumana. Jedina individualnost nastanjenih u njima može biti iskazana nivoom spuštanja ili dizanja roleta i otvaranja ili zatvaranja prozorskih otvora. Autor inicira spoznaju da smo prisiljeni na ukutijavanje: kutije u kojima živimo, kutije u kojima se vozimo, kutije u koje gledamo da bi nas na kraju i odnijeli u kutiji.
Grand Prix 49. EX TEMPORE Piran prejme Nicola Tomasi iz Gorice z delom, ki nosi naslov Building F4.
Gre za kolažirano slikarsko delo večjih dimenzij, ki spominja na nenavadno arhitekturno urbano okolje. Avtor želi z izrezom, detajlom, nekega kadra, doseči vtis dramatičnosti. S poševnim in ritmiziranim razporedom elementov izziva nadrealistično doživljanje. Delo si lahko razlagamo kot umetniško interpretacijo velikih, nečloveško zasnovanih, bivalnih naselij, ki so sicer v ideji lahko praktična, a se v življenjskem vsakdanu izkazujejo za nehumana in odtujena. Edina individualna poteza s strani njihovih stanovalcev je spuščanje in dvigovanje žaluzij ali odpiranje in zapiranje okenskih odprtin.
Avtor nam s svojim delom skuša posredovati drugačen zorni kot sodobnega načina življenja in njegovih omejitev: vodi nas do spoznanja, da smo prisiljeni živeti in se premikati v bolj ali manj velikih zabojnikih, v katerih nas na koncu tudi odnesejo.
Il premio Grand Prix della 49esima edizione della Ex Tempore di Pirano, lo vince Nicola Tomasi di Gorizia con l'opera dal titolo Building F4.
E' un'opera pittorica a collage a tecnica mista di grandi dimensioni, che ci riporta ad uno spazio di architettura urbana. L'autore vuole dare un senso drammatico mostrandoci un dettaglio di un fermo immagine; con il rigore delle prospettive diagonali, ci suggerisce un senso surrealistico.
L'interpretazione artistica ci porta ad analizzare la quotidianita' delle abitazioni urbane, mentre la realta' non e' proprio questa. L'unica personalizzazione umana che possono dare gli abitanti di questi "cubi di cemento" e' alzare o abbassare la tapparella, chiudere o aprire le finestre..
L'autore con la sua opera ci da un nuovo punto di vista sulla codizione umana e le sue costrizioni: ci suggerisce il fatto che viviamo "inscatolati", guidiamo "inscatolati" e finiamo la nostra vita "inscatolati".
PURCHASE PRICES
1. Company Marovt from the side awarded two prizes, receive by Zlatko Prah and Azad Karim.
2. The award companies Casino Riviera receive Goranka supine.
GREAT HOTEL AWARDS
1. Award of companies Dvor Tacen Ljubljana will be awarded Matjaž Vilfan received by Benjamin Žnidaršič.
2. Award Hotel Bernardin has received Simon Kastelic.
3. Award Hotel Piran Hotel Europe and will be handed Mr. Alexander Pinter receives the Peter Karger.
SPECIAL GRAND PRIZE
1. The prize launching a trade ART is in the form of painting material is received by Igor Banfi.
GRAND purchase award - selected by jury
1. The Grand Prize of the Municipality of Koper should be granted Gasper Gaspar muscles receive by Milan Marin.
2. Grand Prix Koper municipal bopodelil Gaspar Gaspar muscles receive it Fulvia Zudič.
3. Grand Prix General navigation Portorož receives Petar Lazarević.
4. Grand Prize of the Municipality of Piran will be handed the Mayor of Piran, Mr. Peter Bossman, he receives Štefan Brezovnik.
Purchase Award for the best work of the author and 35 years old, was chosen by an international jury. The award is in the form of solo exhibitions in Piran gallery Herman Pečarič. Awarded by the Coastal Galleries, he receives by Nina Koželj from Strahovica.
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Honorary awards jury received:
Igor Lekšić
Jure Zrimšek
Burhan Hadžialjević
Matjaž Borovničar
Silvana Konjevoda
Peter Ciuha
Matthew Pečenik
Metka Pepelnak
Branka Pirc
GRAND PRIX XLIX. International Painting ex-tempore, was chosen by an international jury and awarded by the Coastal Galleries. It receives by Nicola Tomasi from Gorizia.
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Justification:
Veliku nagradu 49. extemporaneously Piran like to receive autora NICOLA TOMASI from GORICE sa title Building F4.
They are on kolažiranom slikarskom the dish more still dimension. Rad correlation with začudno architectural, urban okruženje. Author POSTIC seeks to comprehend the drama and provides izrezak, detail mogućeg staff. Uz to intervene to zakošenjem and rhythmical rasporedom ELEMENTS, izazivajući surreal an experience.
I want možemo tumačiti kao artističku interpretaciju glomaznih nečovječnih folk village. She su u practical idea or in practice pokazuju kao inhumane. Jedini individuality of residents in the two men to be iskazana nivoom Driving the or Lift shutting and opening or closure of an prozorskih orifice. Author initiates spoznaju that we are forced to ukutijavanje: boxes with live Kojima, Kojima boxes in the drive, u koje boxes looking to us to go and were taken in a box.
Grand Prix 49th extemporaneously Piran receives Nicola Tomasi from Gorizia to work, titled Building F4.
It is kolažirano painting work of large dimensions, which is reminiscent of the unusual architectural urban environment. The author wishes to recess detail, a scene, to achieve dramatic impression. The oblique schedule and rhythmical elements of the challenge surreal experience. The work can be interpreted as an artistic interpretation of large, ill conceived, residential areas, otherwise the idea can be practical, but in everyday life appear to be inhumane and disposed of. The only individual move by their residents is lowering and raising the blinds or opening and closing the window openings.
Author us with our work trying to provide a different viewpoint of modern life and its limitations: it leads us to the conclusion that we are forced to live and move in a more or less large containers in which we are finally carried away.
Il premio Grand Prix della 49esima edizione della Ex Tempore di Pirano, lo vince Nicola Tomasi di Gorizia con l'Opera gave titolo Building F4.
E 'un'opera pittorica a collage a tecnica mista di Grandi Dimensioni, che ci riporta ad uno spazio di architettura urban. L'autore vuole dare un senso drammatico mostrandoci un un dettaglio di Fermo immagine; con il rigors delle prospettiva diagonal, ci suggerisce un senso surrealistico.
L'artistica interpretazione ci porta ad analizzare la quotidianita 'delle abitazione urban, mentre la realta "non e' proprio quest. L'unica personalizzazione Uman che gli possono dare ABITANTI di Quest "cubi di cemento" e "alzar on abbassare la tapparella, chiudere on aprire only finestre ..
L'autore con la sua opera that ci un nuovo punto di vista sulla codizione Uman e only sue costrizioni: suggerisce ci il fatto che viviamo "inscatolati" guidiamo "inscatolati" finiamo e la nostra vita "inscatolati".
XLIX. MEDNARODNI SLIKARSKI EX-TEMPORE
Razstavljena dela
Mestna galerija Piran
6. september-5. oktober 2014
MAKSIMILJANA IPAVEC
MATEJ PEČENIK Ribič v pokoju
MATJAŽ BOROVNIČAR Terra, acqua,.. NAGRAJEN S Častna priznanja žirije
METKA PEPELNAK Utrip mediterana
MICHEL DOMINIQUE La ronde des ames
MILAN MARIN Brez naslova
MILAN PLUŽAREV Odsev
MILENA KOFOL Piranske strehe
MILENA ROŠTOHAR Zapisi neke zgodbe
MILOŠ DEKIĆ Soline - a ‘14
MIRJANA MATIĆ Povratak slikarstvu
NATAŠA BEZIĆ Soline
NECA FALK Potapljač Mirko
NEVA PIZZUL Anatomija ljubavi
NIKOLA RAŽOV Luna
NINA KOŽELJ Dama
PAOLO BONIFACIO Continuita`
PARIDE DI STEFANO Underthewater
PAVLE ŠČURK Piranski mandrač
PETAR LAZAREVIĆ Impresije iz Pirana
PETER CIUHA Sanje
PETER KARGER The fairy King is Dreaming of Piran
PRIMOŽ BRECELJ Prepletanje
ROK KLEVA IVANČIĆ Bobi
SABINA ŠINKO Lampeduza, 22. julij 2012
SARA DOMNIK Pasja ljubezen
SAŠA GAJŠEK Dnevnik piranskega škržata
SILVANA KONJEVODA Jutro v Piranu
SIMON KASTELIC selfi_z_obale.jpg
STANE PETROVIČ ČONČ Mrtvi privezi
ŠTEFAN BREZOVNIK Bilo je in še bo
TEA BIČIĆ U pozadini
ULLA ŽIBERT Blu is the warmest color
URŠA ŽAJDELA HROVAT Piranska ulica
VALENTINO VIDOTTI Valico a est
VANJA REPIČ Morje
VOJKO GAŠPERUT Soline 2014
ZDENKA PETEK Noč v solinah
ZLATKO PRAH Amore mio
ZVJEZDANA MARGUŠ PROHASKA Morje
YLENIA ŽIBER Utopljen
Z očitki, da je delo, ki ga je strokovna žirija piranskega ex-tempora nagradila, plagiat, so se v Obalnih galerijah soočili že lani, ko je piranski akademski slikar Matjaž Borovničar opozoril na spornost slike Mateja Čepina. Njegovo delo The Storm naj bi bilo plagiat fotografije Infectious PneumoniaAndresa Serrana. Na vprašanje, ali tovrstni primeri škodujejo ugledu piranskega Ex-tempora, najstarejše tovrstne prireditve v Evropi, Jelka Pečar, v.d. ravnatelja Obalnih galerij, odgovarja, da predvsem dvignejo precej medijskega prahu. Kot je dodala, pravilnika o sodelovanju na Ex-temporu Piran ne nameravajo bistveno spreminjati. Razmišljajo pa, da bi v prihodnje sodelujočim avtorjem v podpis predložili izjavo, s katero bi slikarji potrdili, da je delo, ki so ga oddali, avtentično.
MAKSIMILJANA IPAVEC
The allegations that the work done by the jury Piran ex-tempore award, plagiarism, are in the Coastal Galleries faced last year, when the Piran painter Matjaž Borovničar warned that pictures of Matej Cepin. His work The Storm would be plagiarism photos Infectious PneumoniaAndresa Serrana. Asked whether such cases damage the reputation of Piran Ex-tempore, the oldest such events in Europe, Spruce Pečar, vd Principal Coastal Galleries, contends that much of the media in particular, raise dust. As she said, the rules on cooperation in the Ex-tempore Piran does not intend to make substantial amendments. Considering, however, that in future entrants to the signature submitted a declaration to the painters confirmed that the work they have made, authentic.
Maximilian Ipavec
http://www.primorske.si/
http://www.delo.si/
Ex-tempore: Razgaljeni novi mojstri
Dobitnik letošnje nagrade je 54-letni Nicola Tomasi iz Gorice.
Boris Šuligoj, Koper
sob, 06.09.2014, 21:22
Ključne besede: [Delosled] Ex-tempore
Ex-tempore: Razgaljeni novi mojstri
Grand prix (okna) in Nives Marvin ter Bogdana Kovač. Foto: Boris Šuligoj/Delo
Piran – Building 4 je naslov slike, za katero je 54-letni Nicola Tomasi iz Gorice prejel grand prix letošnjega 49. mednarodnega slikarskega praznika ex-tempore v Piranu. Nagrado sta mu danes zvečer na Tartinijevem trgu podelila predsednik mednarodne žirije Eugen Borkovsky iz Hrvaške in Lilijana Stepančič, ravnateljica Obalnih galerij Piran, ki so uspešno izpeljale še vedno najbolj množično tovrstno prireditev v Evropi.
Na ex-tempore se je prijavilo 248 umetnikov iz 11 držav, ki pa so oddali le 219 del, kar je občutno manj kot v časih najbolj množičnih prireditev pred nekaj leti, ko se je prijavilo po 350 in več avtorjev. Kriza verjetno vpliva tudi na ustvarjanje oziroma na ambicije ustvarjalcev. Približno tretjina avtorjev je akademsko šolanih, toda akademska izobrazba ni vedno pogoj za uspeh. Letos so podelili 22 nagrad za slike in tri nagrade za izdelke iz keramike, skupaj je bilo podeljenih za več kot 20.000 evrov nagrad. Prvič sta se za podelitev velike odkupne nagrade (poleg piranske občine) odločili tudi Občina Koper in Komunala Koper, kar je zasluga svetovalca koprskega župana (G. G. Mišiča). V Mestni galeriji Piran so razstavili 93 izbranih in seveda vseh 22 nagrajenih del, v prostorih in vrtovih nekdanjega piranskega vrtca (ki je zdaj last piranske župnije) pa so predstavili preostalih nekaj več kot sto del, ki se niso uvrstila v ožji izbor.
Nicola Tomasi je stari znanec žirije piranskega ex-tempora, saj je že prejemal nagrade. Letošnje nagrajeno delo Building pa mu je prineslo 2000 evrov nagrade. Kolažirana slika upodablja sodobno arhitekturno okolje. »S svojim abstraktnim delom poskuša avtor posredovati zorni kot sodobnega človeka in omejitve, ki mu jih takšno življenje postavlja,« je zapisano v obrazložitvi žirije za podeljeni grand prix.
Nagrado za najboljše delo mladega avtorja (do 35 let) je žirija podelila Nini Koželj (likovni pedagoginji) iz Strahovice za delo Dama. »Z risbo krokija poskuša avtorica problematizirati osebno stisko. Avtorica uporablja preprost in spontan likovni jezik, ki spominja na otroški rokopis. In ravno v tej neposrednosti je prepričljiva s svojo stvaritvijo,« je ugotovila žirija. Podelile še častna priznanja osmim udeležencem, ta so prejeli: Igor Lekšič, Jure Zrimšek, Burhan Hadžialjević, Matjaž Borovničar, Silvana Konjevoda, Peter Ciuha, Matej Pečenik, Metka Pepelnak in Branka Pirca.
Hkrati so v Galeriji Hermana Pečariča razstavili 33 od 55 del 15. mednarodnega ex-tempora keramike, kjer je najvišjo nagrado Obalnih galerij žirija podelila Mladenu Ivančiću iz Opatije.
Ex-tempore: exposes new masters
The winner of this year's award, 54-year-old Nicola Tomasi from Gorizia.
Boris Šuligoj, Koper
rooms, 06/09/2014, 21:22
Keywords: [Delosled] Ex-tempore
Ex-tempore: exposes new masters
Grand prix (windows) and Nives Marvin and Bogdan Kovac. Photo: Boris Šuligoj / Work
Piran - Building 4 is the address of the image, which is a 54-year-old Nicola Tomasi from Gorizia received a grand prix this year's 49th international painting ex-tempore holiday in Piran. The award was him tonight at Tartini Square presented by the President of the international jury Eugen Borkovsky in Croatia and Lilijana Stepančič, Principal of Piran Coastal Galleries, which have successfully carried out the still the most widely-kind event in Europe.
On the ex-tempore it has registered 248 artists from 11 countries who have awarded only 219 works, which is significantly less than in times of most major events a few years ago, when he registered 350 or more authors. The crisis may also affect the creation or to the ambitions of the creators. About a third of the authors are academically trained, but academic education is not always a prerequisite for success. This year they awarded 22 prizes for pictures and three awards to products made of ceramics, were awarded a total of more than € 20,000 prize. New are Awarding large purchase prizes (in addition to the municipality of Piran) decided the Municipality of Koper and Koper municipal, thanks to the adviser to the mayor of Koper (GG muscle). The Town Gallery Piran were exhibited 93 selected and, of course, all 22 award-winning works in the rooms and gardens of the former kindergarten Piran (which is now owned by the Piran parish) presented the remaining little more than a hundred works, which were not shortlisted.
Nicola Tomasi is an old acquaintance of the jury ex-tempore Piran, as he has already received awards. This year's award-winning Building work she brought him $ 2,000 prize. Kolažirana painting depicts a modern architectural environment. "With his abstract work the author tries to provide viewing angle of modern man and the limits which it sets such a life," she stated in the explanatory statement to the jury awarded a grand prix.
The award for the best work of a young author (under 35 years), the jury awarded Nini Koželj (art teacher) from Strahovica to work Dama. "By drawing krokija author tries to problematize personal distress. The author uses a simple and spontaneous visual language that resembles the children's handwriting. And precisely this immediacy is convincing with its creation, "he concluded the jury. Grants still honors eight participants that have received Igor Lekšič, Jure Zrimšek, Burhan Hadžialjević, Matjaž Borovničar, Silvana Konjevoda, Peter Ciuha, Matej Pečenik, Metka Pepelnak and Branka Pirc.
At the same time Herman Pečarič Gallery exhibited 33 of 55 part of the 15th International ex-tempore of Ceramics, which is the highest award of the Coastal Galleries jury awarded Mladen Ivančiću from Opatija.
http://www.primorske.si/
“Morski čudež je pristen”
nedelja, 20. september 2015, 06:00
Strokovna žirija jubilejnega, 50. mednarodnega slikarskega Ex-tempora Piran je častno priznanje za mladega avtorja podelila sliki Miracolo di mare (Morski čudež)avtorice Petje Novak. Po podelitvi pa je zaokrožilo anonimno pismo, ki je postavilo pod vprašaj izvirnost dela; opozarja namreč na veliko podobnost z avtorsko zaščiteno sliko iz serije Matchbox, ki jo je ameriška likovna ustvarjalka Erin Ashley naredila pred štirimi leti. Mednarodna strokovna žirija, ki ji predseduje Aleksander Bassin odgovarja: delo Novakove je avtentično.
PIRAN, LJUBLJANA > Sliki Erin Ashley in Petje Novak laičnemu očesu ne vzbudita veliko dvomov; tako kompozicijsko kot tudi barvno sta si izjemno podobni. To pa za odločitev, ali gre za plagiat ali ne, ni dovolj: “Slika Petje Novak je njeno avtentično delo, kar je žirija lahko ugotovila, potem ko je preverila avtoričino bogato likovno gradivo, izraženo v osnutkih, ki jih je pripravljala ves čas, dokler ni prišla do končne izvedbe, ki po izraziti figuralni motiviki (zlasti plavajočega kita, morske favne in flore) temelji na izročilu o nasedlem kitu v 16. stoletju v Piranu. Podnaslovitev Miracolo di mare je verbalni povzetek iz te legende,” je v imenu mednarodne strokovne žirije, ki je presojala o letošnjih delih na slikarskem Ex-temporu, zapisal njen predsednik Aleksander Bassin.
Glede očitkov o podobnosti, vprašanja o preverjanju izvirnosti in kriterijih izbora žirija meni, da je po postmoderni in v postmedijski umetniški paradigmi govorjenje o plagiatu nesmiselno: “Umetniki imajo svobodo preinterpretiranja, citiranja, apropriiranja ... po principu prehajanja med mediji in svobodnega povzemanja v univerzumu podob.” Sliki Petje Novak tako ostaja častno priznanje, prav tako bo Miracolo di mare še naprej del razstave, ki je v piranski Mestni galeriji na ogled do 3. oktobra.
Delo ameriške umetnice je leta 2012 kuratorica Paola Trevisan uvrstila na mednarodno umetniško razstavo Liberated Dreams; med drugim je objavljeno na plakatu in na naslovnici kataloga te razstave, na kar je medije in žirijo opozoril avtor anonimnega pisma. Petja Novak zagotavlja, da dela Ashleyjeve doslej ni poznala. “Izhajala sem iz neke svoje stare slike, na kateri sem upodobila surferja na valovih,” pojasnjuje študentka tretjega letnika kiparstva na ljubljanski Akademiji za likovno umetnost. Povedala je, da je sliko Miracolo di mare delala v Piranu, kjer sicer preživlja poletja, in vanjo vključila detajle, ki jih videva - angleško petjambornico, ki pogosto pripluje v piranski mandrač, staro cipreso, piransko hiško, puhaste oblake pred nevihto ... ter vse to beležila v svoj risarski dnevnik in za sliko pripravila več skic. Navdih za naslov je našla v stari piranski legendi Miracolo di mare - ta pripoveduje o kitu, ki je v piranski zaliv priplaval v 16. stoletju.
Z očitki, da je delo, ki ga je strokovna žirija piranskega ex-tempora nagradila, plagiat, so se v Obalnih galerijah soočili že lani, ko je piranski akademski slikar Matjaž Borovničar opozoril na spornost slike Mateja Čepina. Njegovo delo The Storm naj bi bilo plagiat fotografije Infectious PneumoniaAndresa Serrana. Na vprašanje, ali tovrstni primeri škodujejo ugledu piranskega Ex-tempora, najstarejše tovrstne prireditve v Evropi, Jelka Pečar, v.d. ravnatelja Obalnih galerij, odgovarja, da predvsem dvignejo precej medijskega prahu. Kot je dodala, pravilnika o sodelovanju na Ex-temporu Piran ne nameravajo bistveno spreminjati. Razmišljajo pa, da bi v prihodnje sodelujočim avtorjem v podpis predložili izjavo, s katero bi slikarji potrdili, da je delo, ki so ga oddali, avtentično.
MAKSIMILJANA IPAVEC
Sunday, September 20, 2015, 06:00
The expert jury of the jubilee, the 50th international painting ex-tempore Piran is an honorary award for young author granted FIG Miracolo di Mare (Sea miracle) authors Singing Novak. After the ceremony was complemented by an anonymous letter, which called into question the originality of the work; It draws attention to the fact a lot of similarity with copyrighted image from Matchbox series by the American art artist Erin Ashley did four years ago. The international jury, chaired by Aleksander Bassin responds: Labour Novak is authentic.
PIRAN, LJUBLJANA> Photo Erin Ashley Novak Singing and non-expert eye does not attract a lot of doubts; both compositionally as well as the color they're very similar. This is to determine if there is plagiarism or not, is not enough: "Figure Singing Novak its authentic work, which the jury can be found after verifying the author's rich visual material, expressed in the draft, which was prepared at all times, until it came to the final implementation, which express the figural motifs (especially floating whale, marine fauna and flora) is based on the tradition of the stranded whale in the 16th century in Piran. Subtitling Miracolo di Mare is a verbal summary of this legend, "on behalf of the international jury, which is assessed on the year's work on the Ex-tempore, wrote its president Aleksander Bassin.
Concerning the allegations of similarity, the question of verifying the originality and selection criteria, the jury considers that the post-modern and artistic paradigm in Postmedial talking about plagiatu absurd: "Artists have the freedom preinterpretiranja, citations, apropriiranja ... the principle of transition between the media and the freedom to summarize in images of the universe. "Figure Singing Novak remains Merit, also will Miracolo di mare continue to be part of the exhibition, which is in the Piran City Gallery on display until 3 October.
The work of the American artist's 2012 curator Paola Trevisan ranks of international art exhibition Liberated Dreams; among other things, it is published on a poster and on the cover of the catalog of the exhibition, in which the media and the jury noted the author of the anonymous letter. Singing Novak ensure that labor Ashley has not known before. "I proceeded from some of their old pictures, where I portrayed surfer on the waves," explains a third year student of sculpture at the Academy of Fine Arts. She said that the image Miracolo di mare worked in Piran, which otherwise is summer, and integrate the details of which are seeing - English petjambornico, which often arrives in the Piran harbor, the old cypress, Piran house, fluffy clouds before the storm ... and all this is recorded in his diary and drawing the image produced several sketches. The inspiration for the title is found in the old Piran legend Miracolo di mare - this tells the story of the whale that swam in the Bay of Piran in the 16th century.
The allegations that the work done by the jury Piran ex-tempore award, plagiarism, are in the Coastal Galleries faced last year, when the Piran painter Matjaž Borovničar warned that pictures of Matej Cepin. His work The Storm would be plagiarism photos Infectious PneumoniaAndresa Serrana. Asked whether such cases damage the reputation of Piran Ex-tempore, the oldest such events in Europe, Spruce Pečar, vd Principal Coastal Galleries, contends that much of the media in particular, raise dust. As she said, the rules on cooperation in the Ex-tempore Piran does not intend to make substantial amendments. Considering, however, that in future entrants to the signature submitted a declaration to the painters confirmed that the work they have made, authentic.
Maximilian Ipavec
http://www.delo.si/novice/
Piranskemu ex-temporu se je zgodil slikarski čudež
Podobnost slik Slovenke in Američanke je očitna, a žirija je odločila, da je delo Petje Novak avtentično.
Boris Šuligoj, Koper Delo
sob, 19.09.2015, 09:00
Ključne besede: [Delosled] Ex-tempore, [Delosled] Petja Novak, [Delosled] avtentičnost, [Delosled] goljufija, [Delosled] Erin Ashley, [Delosled] slikarstvo
Piranskemu ex-temporu se je zgodil slikarski čudež
Slika Miracolo di Mare Petje Novak. Foto: Boris Šuligoj /Delo
Piran - Na piranskem Ex temporu nagrajena slika Miracolo di mare Petje Novak je nezmotljivo podobna delu ameriške umetnice Erin Ashley plagiat. Toda predsednik mednarodne žirije Aleksander Bassin je plagiatorstvo zanikal in zatrdil, da je slika avtentično delo študentke kiparstva na akademiji za likovno umetnost Petje Novak.
Petja Novak je na nedavnem, 50. mednarodnem slikarskem Ex-temporu v Piranu prejela častno priznanje za najboljše delo mladega avtorja, starega do 35 let. Anonimneži pa so nas opozorili, da je nagrajeno piransko delo neverjetno podobno originalu ameriške umetnice Erin Ashley s Floride, oziroma da gre za plagiat.
»Če komisija ne bo reagirala, se bojimo, da bo Ex-tempore počasi izgubljal na kredibilnosti. Ni namreč pošteno do drugih avtorjev, ki so na platno prenesli svoje lastne ideje in ne le kopirali zamisli drugih. Mladi »avtorici« pa bo ta uspeh dal krila za bodoče copy-paste, če bo živela v prepričanju, da nihče ni opazil njenega plagiatorstva,« pišejo anonimni avtorji pisma.
Za komentar smo povprašali Petjo Novak, ki je dejala, da je bila ob teh očitkih povsem šokirana.
Ex-tempore Piran has occurred painting miracle
Pictures Similarity Slovenke and American women is obvious, but the jury decided that the work of Singing Novak authentic.
Boris Šuligoj, Koper Work
rooms, 09/19/2015, 09:00
Keywords: [Delosled] Ex-tempore, [Delosled] Petya Novak [Delosled] authenticity, [Delosled] cheat [Delosled] Erin Ashley [Delosled] painting
Ex-tempore Piran has occurred painting miracle
Figure Miracolo di Mare Singing Novak. Photo: Boris Šuligoj / Work
Piran - Piran Ex tempore award-winning picture Miracolo di mare Singing Novak is unmistakably similar to the work of the American artist Erin Ashley plagiarism. But the president of the international jury Aleksander Bassin is denied plagiarism and claimed that the picture is authentic student work in sculpture at the Academy of Fine Arts Singing Novak.
Singing Novak is recent, the 50th International Ex-tempore Piran received an honorable mention for the best work of young authors aged up to 35 years. Anonymous, we were warned that the award-winning Piran work incredibly similar to the original American artist Erin Ashley from Florida, or that it is plagiarism.
"If the Commission does not react, we fear that the Ex-tempore slowly losing its credibility. It is not fair to other authors who have transferred to canvas their own ideas and not just copy the ideas of others. Young "author" but this success gave wings to the future, copy-paste, if you will live in the belief that no one noticed her of plagiarism, "the authors write anonymous letters.
For comments, we asked Petja Novak, who said that he was taking these allegations completely shocked.
http://
Slikarska žirija nagradila plagiat?!
Objavljeno: 22.09.2015 08:36Posodobljeno: 22.09.2015 08:36
Avtor: Tomica Šuljić
Ključne besede: Delosled: Petja Novak Petja Novak, Delosled: slika slika, Delosled: plagiat plagiat
Na festivalu Ex-tempore priznanje za sliko, ki je skoraj identična sliki Američanke.
Art jury awarded plagiarism ?!
Posted: 09/22/2015 08:36 Updated: 09/22/2015 08:36
Author: Tomica Šuljić
Keywords: Delosled: Petya Petya Novak Novak, Delosled: image image Delosled: plagiarism plagiarism
The festival Ex-tempore award for an image that is almost identical to the American image.
http://www.rtvslo.si/blog/
Nagrajen plagiat
Saj ne, da bi me dajala nevoščljivost. Prebral sem članek v Slovenskih novicah in nagrajeni deklič se mi je malce zasmilil.
V kategoriji mladih avtorjev do 35 let je na letošnjem EX TEMPORU Piran 2015 "zablestela" avtorica Petja Novak s sliko, za katero se je ugotovilo, da je čisti plagiat. Članka na spletu še ni mogoče prebrati, pa prilagam kar njeno fotografijo iz FB.
Kaj si ob tem mislim?
Vsa čast strokovni žiriji z Aleksandrom Bassinom na čelu, saj zna razpoznati tisto, kar je dobro med množico oddanih del. Ne gre jim zameriti, da plagiatorstva sami niso zaznali. Ker pa vsi ljudje vse vedo, goljufija ne more ostati dolgo skrita.
Nič ni narobe, če se od drugih avtorjev česa naučimo, kakšno podrobnost uporabimo in jo vgradimo v svoje delo. Če pa kopiramo je prav, da to ob delu jasno zapišemo.
awarded plagiarism
Not that I would give envy. I read an article in the Slovenian news and girls are rewarded me a little pitied.
In the category of young authors up to 35 years at this year's Ex tempore Piran in 2015 "blazes" Petya Novak author of the image, which was found to be pure plagiarism. Articles online still can not read, but which attach her photo from the FB.
What are we having this mean?
Congratulations jury with Alexander Bassinom at the helm, because he knows how to identify what is good among the plurality of the votes. It is not about blame them that plagiarism itself has been detected. However, since all the people all know that fraud can not remain hidden long.
There is nothing wrong if the other authors of what we learn some details of the application and installed it in its work. However, if the copying is right that this is the work clearly written.
http://
Dobil sem pisemce ...
Tale naslov sem izbral iz prve kitice narodne pesmi z enakim naslovom. Da bi ne bilo morebitnih očitkov ...
*
Nemalo sem bil presenečen danes zjutraj, ko sem odprl pismo, v njej pa list papirja z natisnjenim zapisom upokojenega muzejskega svetnika Andreja Medveda, objavljenim v časopisu Delo v rubriki "Prejeli smo".
Neznanemu pošiljatelju se za pisemce prav lepo zahvaljujem!
Zapisa v Delu nisem prebral, pa mi je takole servirano prišlo kar prav.
Z gospodom Medvedom pa bi se lahko strinjal le delno.
Postmoderna je res en velik hudič, saj v njej ni nobenih pravil. Bassin ima prav, ko pravi, da je v njej čisto vse mogoče, sam pa se sprašujem, če je morda s tem tudi čisto vse dovoljeno?
Slike Erin Ashley v naravi nisem videl, njenih dimenzij ne poznam, sem se pa od blizu soočil s sliko Petje Novak. Drži tisto, o kromatičnih odnosih, kompozicijski zasnovi, morda merah, v detajlih pa sta si sliki močno različni. Na Ashleyevi sliki verjetno ni nalepljenih pozlačenih, zdrobljenih hišic morskega ježka, tam na dnu je simbolično prikazan kit, ribica, na sliki ni ob robu naslikanih črnih številk in tudi pozlate na posameznih segmentih slike verjetno na originalu ni. Modra lisa z okorno naslikanimi valovi je detajl, ki bi ga na Ashleyevi sliki zaman iskali. Torej o identičnosti tu ne more biti govora.
Sprašujem pa se, do kam lahko seže avtor nekega dela pri iskanju ideje za svoje stvaritve. Drug od drugega se učimo, drug drugemu dajemo neka nova spoznanja iz njih črpamo ideje, jih seveda včasih tudi uporabimo in nadgrajujemo. Popolna kopija nekega dela, pod katero zapišemo svoje ime, vem, ni dopustna. Kopija originala s podpisom vred z namenom, da bi jo prodali, kot avtentično delo, tudi ne. Kje je torej meja?
Morda ni prav, da se avtorica nagrajenega dela spreneveda češ, da slike Ashleyeve sploh ne pozna, prav tudi ni, da trdimo, da sta sliki popolnoma identični, ker to nista.
Ali je prav, da je bila nagrajena, to pa ve samo gospod Bassin, člani žirije in morda še kdo.
I got a note ...
Tale title I chose the first verse of the national poem of the same title. It would not be any complaints ...
*
Factional I was surprised this morning when I opened the letter and it has a sheet of paper with a printed record of retired museum councilor Andrej Medved, published in Delo newspaper under the heading "We've received."
Unknown sender for chit very nice thank you!
Record in Part I read, but I like this served there as well.
With Mr. Bear could be agreed only in part.
Postmodernism is really one big devil, because there are no rules. Bassin is right when he says that there can be everything, but I wonder if it might thus everything allowed?
Pictures Erin Ashley in kind not seen, its dimensions do not know, but I have seen up close the picture Singing Novak. It is true that, on chromatic relationships, composition, design, maybe rates in detail but they're significantly different picture. On Ashleyevi figure is probably not affixed gold, broken homes sea urchin, there at the bottom of the symbolically illustrated kit fishy in the picture is not at the edge of the painted black numbers and gilding on individual segments of the picture probably not original. Blue spot with clumsy painted waves is a detail that would be in vain looking Ashleyevi picture. So the sameness there can not be a speech.
I wonder how far you can reach the author of a work in finding ideas for your creations. One another, we learn, we give each other some lessons we draw from them ideas, of course sometimes used and upgraded. A complete copy of a work, on which is written his name, I know, is not permitted. A copy of the original with the signature value in order to sell it as an authentic work, either. So where does the line?
Maybe not right to be the author of the award-winning work pretends saying that pictures Ashley does not know, it is not to say that the images are completely identical, because they are not.
Is it right that has been awarded, and that he knows only Mr. Bassin, jury members and perhaps someone else.
NOBEN NI ODGOVOREN IN NOBEN NE ODGOVARJA ZA RAZSTAVITEV IN NAGRAJEVANJE PLAGIATOV V OBALNIH GALERIJAH PIRAN
ODGOVOR MINISTRSTVA ZA KULTURO
1. okt.2015
Spoštovani g. Matjaž Borovničar,
najprej naj vas opozorim na dejstvo, da je rok državnih organov za odgovor posameznikom 15 dni. V nadaljevanju vam posreedujemo kratko informacijo v odgovor na vaša vprašanja, če pa želite podrobnejši odgovor s pravnimi podlagami, nam sporočite.
Prejeli smo vaša e-sporočila z izpostavljeno problematiko avtorskih pravic in kodeksa oblačenja. V primerih kršenja avtorskih in sorodnih pravic Ministrstvo za kulturo ni pristojni organ. Oškodovanec lahko ukrepa skladno z zakonodajo, ki ureja avtorske pravice. Organizator ali posrednik v takšnih primerih sam določi pogoje in ukrepe, s katerimi skuša preprečevati kršenje avtorskih pravic ali pa se zavaruje pred zlorabo.
V zvezi s kodeksom oblačenja je pristojna pravna oseba pri kateri je oseba zaposlena, Javni zavod je samostojna pravna oseba, ki poseduje vse podatke o morebiti sprejetih pravilnikih in določilih, ki so jih zaposleni dolžni upoštevati. Predlagamo vam, da v zadevi kontaktirate vodstvo javnega zavoda.
Lep pozdrav
mag. Marija Brus
sekretarka
REPUBLIKA SLOVENIJA
MINISTRSTVO ZA KULTURO
DIREKTORAT ZA KULTURNO DEDIŠČINO
Sektor za muzeje, arhive in knjižnice
Maistrova ulica 10, SI-1000 Ljubljana, Slovenia
29. sep.2015
Spoštovani,
zakonsko določen rok za odgovor je 15 dni. Ko dobim informacije od ustrezne službe, vam jih posredujem.
Lep pozdrav,
Judita Krivec Dragan
sekretarka
ln_podpis
REPUBLIKA SLOVENIJA
MINISTRSTVO ZA KULTURO
DIREKTORAT ZA USTVARJALNOST
sektor za umetnost
Maistrova ulica 10, 1000 Ljubljana, Slovenija
Judita.Krivec-Dragan@gov.s
15.10.2015
Za Marija.Brus, Biserka.Mocnik, Vesna.Jurca-Ta., meni
Spoštovani,
kot vam je že napisala gopa Marija Brus, Ministrstvo za kulturo nima zakonskih podlag, da bi sprožilo kazenski postopek zoper domnevnega palgiatorja oziroma organizatorja prireditve, na keteri je bil ta domnevni plagiat prezentiran. Vsekakor je na avtorici, da ustrezno zaščiti svoje avtorske pravice. MK bo z vašim pismom seznanilo člane strokovne komsiije, ki presoja program Obalnih galerij Piran.
Lep pozdrav,
Judita Krivec Dragan
sekretarka
ln_podpis
REPUBLIKA SLOVENIJA
MINISTRSTVO ZA KULTURO
DIREKTORAT ZA USTVARJALNOST
sektor za umetnost
Maistrova ulica 10, 1000 Ljubljana, Slovenija
V SLOVENIJI NI NOBEN ODGOVOREN
NOBEN NEVE NIČ
KDO JE ODGOVOREN ZA RAZSTAVITEV IN NAGRAJEVANJE PLAGIATOV,
PROSIM ČE MI ODGOVORITE V.D. JELKA PEČAR.
NOTHING IS NOT RESPONSIBLE AND WILL NOT BE LIABLE FOR ANY disassembly and reward plagiarism in Piran Coastal Galleries
REPLY BY THE MINISTRY OF CULTURE
1. okt.2015
Dear Mr. Matjaž Borovničar,
first let me draw your attention to the fact that the hands of state authorities for responding to individuals for 15 days. Below we posreedujemo brief information in response to your questions, but if you want a more detailed response to legal grounds, let us know.
We have received your email with the exposed problems of copyright and dress code. In cases of copyright and related rights Ministry of Culture is the competent authority. The injured party may act in accordance with the law governing copyright. The organizer or intermediary in such cases, it may determine the conditions and measures in an attempt to prevent copyright infringement, or to safeguard against abuse.
With regard to the dress code of responsible legal person in which the person is employed, The Public Service is an independent legal entity that holds all the information about possibly adopt policies and conditions by employees are required to comply. We suggest that you contact the case management of the public institution.
Greetings
mag. Mary Brus
Secretary
REPUBLIC OF SLOVENIA
MINISTRY OF CULTURE
Directorate for Cultural Heritage
Sector for museums, archives and libraries
Maistrova Street 10, SI-1000 Ljubljana, Slovenia
29 sep.2015
Dear Sir,
the legal deadline for response is 15 days. When I get information from the relevant service they provide.
Sincerely,
Judith culprit Dragan
Secretary
ln_podpis
REPUBLIC OF SLOVENIA
MINISTRY OF CULTURE
DIRECTORATE FOR CREATIVITY
Sector for the Arts
Maistrova Street 10, 1000 Ljubljana, Slovenia
Judita.Krivec-Dragan@gov.s
10/15/2015
For Marija.Brus, Biserka.Mocnik, Vesna.Jurca-Ta., Considers
Dear Sir,
as you already wrote GOPA Mary Whetstone, The Ministry of Culture has no legal grounds to institute criminal proceedings against the alleged palgiatorja or organizer at Keter it has been presented the alleged plagiarism. In any case, it authors to adequately protect its copyright. MK to your letter noted members of the Expert komsiije that assessment program Piran Coastal Galleries.
Sincerely,
Judith culprit Dragan
Secretary
ln_podpis
REPUBLIC OF SLOVENIA
MINISTRY OF CULTURE
DIRECTORATE FOR CREATIVITY
Sector for the Arts
Maistrova Street 10, 1000 Ljubljana, Slovenia
https://www.pinterest.com/
https://www.pinterest.com/
http://erinashleyart.com/
http://andresserrano.org/
http://www.artnet.com/awc/
http://
https://en.wikipedia.org/
https://www.etsy.com/shop/
http://www.delo.si/novice/
RES ČUDEŽ,VIZIJA....
Piran - Piran Ex tempore award-winning picture Miracolo di mare Petja Novak is unmistakably similar to the work of the American artist Erin Ashley plagiarism. But the president of the international jury Aleksander Bassin is denied plagiarism and claimed that the picture is authentic student work in sculpture at the Academy of Fine Arts Singing Novak.
Singing Novak is recent, the 50th International Ex-tempore Piran received an honorable mention for the best work of young authors aged up to 35 years. Anonymous, we were warned that the award-winning Piran work incredibly similar to the original American artist Erin Ashley from Florida, or that it is plagiarism.
"If the Commission does not react, we fear that the Ex-tempore slowly losing its credibility. It is not fair to other authors who have transferred to canvas their own ideas and not just copy the ideas of others. Young "author" but this success gave wings to the future, copy-paste, if you will live in the belief that no one noticed her of plagiarism, "the authors write anonymous letters.
Surprised artist
For comments, we asked Petja Novak, who said that he was taking these allegations completely shocked. He stated to us that the work Erin Ashley had never even seen from a distance, or whatever you remember, let alone that it would be used for a template of your creation. According to her, this is incredible, miraculous fact, the similarity of two works (and the work of Ljubljana students was formed several years after the work of the American artist) in a single accident.
Singing Novak said that his work layout artist for several months, the last few months a lot of studying the theory of the golden mean, because she had recently exam at the academy that has a whole series of drawings that best demonstrate the gradual emergence and maturation of her artwork and to his work conceived the old story of Piran in the salt pans stranded whale by the old townspeople called Miracolo di Mare (Sea miracle), which is used for the address of your pictures.
No plagiarism, only quote
President of the jury ex-tempore Piran Aleksander Bassin told us to thoroughly discuss with the student and on the basis of her drawings could see how he designed the work. »Photo Singing Novak its authentic work, which the jury can be found after it has verified the author's rich visual material, expressed in the draft, which was prepared at all times, until it came to the final implementation, which the express figural motoviki (especially floating whale, marine fauna and flora) is based on the tradition of the stranded whale in the 16th century in Sečovlje pans. Subtitling Miracolo di Mare is a verbal summary of these legends. "
Concerning the allegations of similarity, originality and selection criteria, the Bassin answered: "After the postmodern and Postmedial artistic paradigm is talking about plagiatu pointless. Artists have the freedom preinterpretiranja, quoting apropriiranja ... the principle of transition between the media and the freedom to summarize the universe of images. The quotation is quite reasonable. Even if it makes someone look completely identical, we can not know exactly what kind of provocation goes. "
Last year, the similarity of problems
The Piran Coastal Galleries have been last received protests at the expense of exhibits (not winning) picture Matej Cepin, which is with oily paints very realistically "reinterpreted" (without any pointed or referred to this) one of the photos of the world famous photographer Andres Serrano (Infectious Pneumonio). Even then, the jury found that this painting perfectly acceptable form of creation, for which they work also exhibited among others, success or artistic searches and experiments, and from there did not withdraw.
Piran - Na piranskem Ex temporu nagrajena slika Miracolo di mare Petje Novak je nezmotljivo podobna delu ameriške umetnice Erin Ashley plagiat. Toda predsednik mednarodne žirije Aleksander Bassin je plagiatorstvo zanikal in zatrdil, da je slika avtentično delo študentke kiparstva na akademiji za likovno umetnost Petje Novak.
Petja Novak je na nedavnem, 50. mednarodnem slikarskem Ex-temporu v Piranu prejela častno priznanje za najboljše delo mladega avtorja, starega do 35 let. Anonimneži pa so nas opozorili, da je nagrajeno piransko delo neverjetno podobno originalu ameriške umetnice Erin Ashley s Floride, oziroma da gre za plagiat.
»Če komisija ne bo reagirala, se bojimo, da bo Ex-tempore počasi izgubljal na kredibilnosti. Ni namreč pošteno do drugih avtorjev, ki so na platno prenesli svoje lastne ideje in ne le kopirali zamisli drugih. Mladi »avtorici« pa bo ta uspeh dal krila za bodoče copy-paste, če bo živela v prepričanju, da nihče ni opazil njenega plagiatorstva,« pišejo anonimni avtorji pisma.
Presenečena umetnica
Za komentar smo povprašali Petjo Novak, ki je dejala, da je bila ob teh očitkih povsem šokirana. Zatrdila nam je, da dela Erin Ashley ni nikoli niti od daleč videla, ali si ga kakor koli zapomnila, kaj šele, da bi ga uporabila za predlogo svojega ustvarjanja. Po njenih besedah je ta neverjetna, pravzaprav čudežna, podobnost dveh del (in delo ljubljanske študentke je nastalo več let po delu ameriške umetnice) eno samo naključje.
Petja Novak je povedala, da je svoje delo snovala več mesecev, da je zadnje mesece veliko študirala teorijo o zlatem rezu, ker je imela nedavno izpit na akademiji, da ima celo vrsto skic, ki najbolje dokazujejo postopno nastajanje in dozorevanje njenega umetniškega dela in da je svoje delo zasnovala na stari piranski zgodbi o pri solinah nasedlem kitu, ki so ga stari Pirančani imenovali Miracolo di mare (Morski čudež), kar je uporabila za naslov svoje slike.
Ne plagiat, le citat
Predsednik žirije piranskega ex-tempora Aleksander Bassin nam je povedal, da se je temeljito pogovoril s študentko in na podlagi njenih skic lahko ugotovil, kako je snovala delo. »Slika Petje Novak je njeno avtentično delo, kar je žirija lahko ugotovila potem, ko je preverila avtoričino bogato likovno gradivo, izraženo v osnutkih, ki jih je pripravljala ves čas, dokler ni prišla do končne izvedbe, ki po izraziti figuralni motoviki (zlasti plavajočega kita, morske favne in flore) temelji na izročilu o nasedlem kitu v 16. stoletju pri Sečoveljskih solinah. Podnaslovitev Miracolo di mare je verbalni povzetek iz te legende.«
Glede očitkov o podobnosti, izvirnosti in kriterijih izbora pa je Bassin odgovoril: »Po postmoderni in v postmedijski umetniški paradigmi je govorjenje o plagiatu nesmiselno. Umetniki imajo svobodo preinterpretiranja, citiranja apropriiranja... po principu prehajanja med mediji in svobodnega povzemanja v univerzumu podob. Citat je nekaj popolnoma sprejemljivega. Celo če naredi nekdo popolnoma identično podobo, ne moremo natančno vedeti, za kakšno vrsto provokacije gre.«
Že lani težave s podobnostjo
V Obalnih galerijah Piran so že lani prejeli proteste na račun razstavljene (ne pa nagrajene) slike Mateja Čepina, ki je z oljnatimi barvami nadvse veristično »preinterpretiral« (ne da bi to kakor koli poudaril ali na to opozoril) eno od fotografij svetovno znanega fotografa Andresa Serrana (Infectious Pneumonio). Tudi takrat je žirija ugotovila, da je takšno slikanje povsem sprejemljiva oblika ustvarjanja, zaradi katerega so delo tudi razstavili med drugimi uspelimi likovnimi iskanji in poskusi in ga od tam niso umaknili.
Thank you - seems like such a shame it is very clear that this idea was from my original art even the drips of paint my goodness! Is there a link to the gallery that I should make a complaint?
Thank you again,
Erin Ashley Wattlley-Rice
Email: erinashleyartist@gmail.com
http://www.uil-sipo.si/
https://
http://www.piran.si/
http://
Kontakti
Razstavišča:
Mestna galerija Piran, Tartinijev trg 3, 6330 Piran, telefon: +386 (0)5 67 12 080
Galerija Loža Koper, Titov trg 1, 6000 Koper, +386 (0)5 62 74 171
Galerija Meduza, Čevljarska 34, 6000 Koper,+ 386 (0)5 62 74 837, e-naslov
Galerija Herman Pečarič, Leninova 2, 6330 Piran, +386 (0)5 67 30 660
Galerija Meduza 2, Cankarjevo nabrežje 7, 6330 Piran
Uprava:
v.d. ravnateljica: Jelka Pečar
Tartinijev trg 3, 6330 Piran, telefon: +386 (0)5 67 12 080, fax: +386 (0)5 67 12 090, e-naslov
Bogdana Kovač, e-naslov
Kustosi:
Koper
Kettejeva 1, fax: +386 (0)5 62 74 322
Majda Božeglav Japelj, +386 (0)5 62 74 080, e-naslov
Galerija Meduza, Čevljarska 34
Tatjana Sirk: +386 (0)5 62 74 837, e-naslov
Piran
Tartinijev trg 3, +386 (0)5 67 12 080
Nives Marvin: e-naslov
Contacts
exhibition:
The Town Gallery Piran, Tartinijev trg 3, 6330 Piran, phone: +386 (0) 5 67 12 080
Loggia Gallery Koper, Titov trg 1, 6000 Koper, +386 (0) 5 62 74 171
Gallery Meduza, Cobbler 34, 6000 Koper, +386 (0) 5 62 74 837, e-mail
Gallery Herman Pečarič, Lenin 2, 6330 Piran, +386 (0) 5 67 30 660
Gallery Meduza 2, Cankar Quay 7, 6330 Piran
Administration:
v.d. Headmistress: Spruce Pečar
Tartinijev trg 3, 6330 Piran, phone: +386 (0) 5 67 12 080, fax: +386 (0) 5 67 12 090, e-mail
Bogdan Kovac, e-mail
curators:
Koper
Kette 1, fax: +386 (0) 5 62 74 322
Majda Božeglav Japelj, +386 (0) 5 62 74 080, e-mail
Gallery Meduza, Cobbler 34
Tatjana Sirk: +386 (0) 5 62 74 837, e-mail
Piran
Tartini Square 3, +386 (0) 5 67 12 080
Nives Marvin: e-mail
NAGRADE XLIX. mednarodni slikarski ex-tempore
Mednarodna strokovna žirija v sestavi:
- Eugen Borkovsky (Hrvaška / Croazia / Croatia)
- Lorena Matic (Italija / Italia / Italy)
- Nives Marvin (Slovenija / Slovenia / Slovenia)
- Majda Božeglav Japelj (tajnica /segretaria / secretary)
Žirija je izvolila predsednika žirije Eugena Borkovski in potrdilo tajnico žirije Majdo Božeglav Japelj.
Na mednarodni slikarski ex-tempore se je prijavilo 245 udeležencev. Oddanih je bilo 219 likovnih del. Razstava je postavljena v prostorih Mestne galerije Piran. Razstavljenih je 93 del.
NAGRADA NA PAPIRJU
1. Odkupno nagrado za delo na papirju, ki jo podeljuje zasebni zbiratelj iz Portoroža prejme Branka Pirc.
2. Veliko nagrado za delo na papirju, ki jo podeljuje zavarovalna družba Adriatic Slovenica Koper, ki jo bo podelil Borut Širca in jo prejme Pavle Ščurk.
POSEBNE NAGRADE
1. Galerija Fonticus Grožnjan razpisuje nagrado, ki jo je izbrala mednarodna strokovna žirija in je v obliki razstave v galeriji Fonticus, podelil jo bo Eugen Borkovski, prejme pa jo Jure Zrimšek.
2. Nagrado podjetja Top line Portorož, ki je v obliki izleta, prejme Vanja Repič, podelil jo bo Žiga Uhelj.
3. Mamieri in trgovine Art Ljubljana razpisujejo nagrado v obliki slikarskega materiala, prejme Cirilo Murer.
HOTELSKE IN PENZIONSKE NAGRADE
1. Nagrado hotelsko-turističnega podjetja Belvedere iz Izole, ki jo je izbrala mednarodna strokovna žirija,prejme Ivan Stojan Rutar.
2. Nagrado Hotela Tartini Piran, ki jo bo podelila ga. Andreja Frelih prejme Mirjana Matić.
3. Nagrado podjetja Piranesi iz Pirana bo podelil g. Drago Papež, prejme pa jo Peter Ciuha.
ODKUPNE NAGRADE
1. Podjetje Marovt iz Stranic podeljuje dva nagradi, prejmeta ju Zlatko Prah in Azad Karim.
2. Nagrado podjetja Casino Riviera prejme Goranka Supin.
VELIKE HOTELSKE NAGRADE
1. Nagrado podjetja Dvor Tacen Ljubljana bo podelil Matjaž Vilfan in jo prejme Benjamin Žnidaršič.
2. Nagrado hotelov Bernardin prejme Simon Kastelic.
3. Nagrado Hotela Piran in hotela Evropa bo izročil gospod Aleksander Pinter, prejme jo Peter Karger.
POSEBNA VELIKA NAGRADA
1. Nagrado razpisujejo trgovine ART in je v obliki slikarskega materiala prejme jo Igor Banfi.
VELIKI ODKUPNE NAGRADE - po izboru strokovne žirije
1. Veliko nagrado Mestne občine Koper bo podelil Gašper Gašpar Mišič, prejme jo Milan Marin.
2. Veliko nagrado Komunale Koper bopodelil Gašpar Gašpar Mišič, prejme pa jo Fulvia Zudič.
3. Veliko nagrado Splošne plovbe Portorož prejme Petar Lazarević.
4. Veliko nagrado Občine Piran bo izročil župan Občine Piran, g. Peter Bossman, prejme pa jo Štefan Brezovnik.
Odkupno nagrado za najboljše delo avtorja starega do 35 let, je izbrala mednarodna strokovna žirija. Nagrada je v obliki samostojne razstave v piranski galeriji Herman Pečarič. Podeljujejo jo Obalne galerije Piran, prejme jo Nina Koželj iz Strahovice.
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Častna priznanja žirije prejmejo:
Igor Lekšić
Jure Zrimšek
Burhan Hadžialjević
Matjaž Borovničar
Silvana Konjevoda
Peter Ciuha
Matej Pečenik
Metka Pepelnak
Branka Pirc
GRAND PRIX XLIX. mednarodnega slikarskega ex-tempora, je izbrala mednarodna strokovna žirija in ga podeljujejo Obalne galerije Piran. Prejme ga Nicola Tomasi iz Gorice.
C
Obrazložitev:
Veliku nagradu 49. EX TEMPORE Piran dobiva rad autora NICOLA TOMASI iz GORICE sa nazivom Building F4.
Radi se o kolažiranom slikarskom djelu većih dimenzija. Rad asocira začudno arhitektonsko, urbano okruženje. Autor želi postići dojam dramatičnosti pa nudi izrezak, detalj mogućeg kadra. Uz to poseže za zakošenjem i ritmiziranim rasporedom elemenata, izazivajući nadrealni doživljaj.
Rad možemo tumačiti kao artističku interpretaciju glomaznih nečovječnih ljudskih naselja. Ona su u ideji praktična ali se u praksi pokazuju kao nehumana. Jedina individualnost nastanjenih u njima može biti iskazana nivoom spuštanja ili dizanja roleta i otvaranja ili zatvaranja prozorskih otvora. Autor inicira spoznaju da smo prisiljeni na ukutijavanje: kutije u kojima živimo, kutije u kojima se vozimo, kutije u koje gledamo da bi nas na kraju i odnijeli u kutiji.
Grand Prix 49. EX TEMPORE Piran prejme Nicola Tomasi iz Gorice z delom, ki nosi naslov Building F4.
Gre za kolažirano slikarsko delo večjih dimenzij, ki spominja na nenavadno arhitekturno urbano okolje. Avtor želi z izrezom, detajlom, nekega kadra, doseči vtis dramatičnosti. S poševnim in ritmiziranim razporedom elementov izziva nadrealistično doživljanje. Delo si lahko razlagamo kot umetniško interpretacijo velikih, nečloveško zasnovanih, bivalnih naselij, ki so sicer v ideji lahko praktična, a se v življenjskem vsakdanu izkazujejo za nehumana in odtujena. Edina individualna poteza s strani njihovih stanovalcev je spuščanje in dvigovanje žaluzij ali odpiranje in zapiranje okenskih odprtin.
Avtor nam s svojim delom skuša posredovati drugačen zorni kot sodobnega načina življenja in njegovih omejitev: vodi nas do spoznanja, da smo prisiljeni živeti in se premikati v bolj ali manj velikih zabojnikih, v katerih nas na koncu tudi odnesejo.
Il premio Grand Prix della 49esima edizione della Ex Tempore di Pirano, lo vince Nicola Tomasi di Gorizia con l'opera dal titolo Building F4.
E' un'opera pittorica a collage a tecnica mista di grandi dimensioni, che ci riporta ad uno spazio di architettura urbana. L'autore vuole dare un senso drammatico mostrandoci un dettaglio di un fermo immagine; con il rigore delle prospettive diagonali, ci suggerisce un senso surrealistico.
L'interpretazione artistica ci porta ad analizzare la quotidianita' delle abitazioni urbane, mentre la realta' non e' proprio questa. L'unica personalizzazione umana che possono dare gli abitanti di questi "cubi di cemento" e' alzare o abbassare la tapparella, chiudere o aprire le finestre..
L'autore con la sua opera ci da un nuovo punto di vista sulla codizione umana e le sue costrizioni: ci suggerisce il fatto che viviamo "inscatolati", guidiamo "inscatolati" e finiamo la nostra vita "inscatolati".
PURCHASE PRICES
1. Company Marovt from the side awarded two prizes, receive by Zlatko Prah and Azad Karim.
2. The award companies Casino Riviera receive Goranka supine.
GREAT HOTEL AWARDS
1. Award of companies Dvor Tacen Ljubljana will be awarded Matjaž Vilfan received by Benjamin Žnidaršič.
2. Award Hotel Bernardin has received Simon Kastelic.
3. Award Hotel Piran Hotel Europe and will be handed Mr. Alexander Pinter receives the Peter Karger.
SPECIAL GRAND PRIZE
1. The prize launching a trade ART is in the form of painting material is received by Igor Banfi.
GRAND purchase award - selected by jury
1. The Grand Prize of the Municipality of Koper should be granted Gasper Gaspar muscles receive by Milan Marin.
2. Grand Prix Koper municipal bopodelil Gaspar Gaspar muscles receive it Fulvia Zudič.
3. Grand Prix General navigation Portorož receives Petar Lazarević.
4. Grand Prize of the Municipality of Piran will be handed the Mayor of Piran, Mr. Peter Bossman, he receives Štefan Brezovnik.
Purchase Award for the best work of the author and 35 years old, was chosen by an international jury. The award is in the form of solo exhibitions in Piran gallery Herman Pečarič. Awarded by the Coastal Galleries, he receives by Nina Koželj from Strahovica.
A
Honorary awards jury received:
Igor Lekšić
Jure Zrimšek
Burhan Hadžialjević
Matjaž Borovničar
Silvana Konjevoda
Peter Ciuha
Matthew Pečenik
Metka Pepelnak
Branka Pirc
GRAND PRIX XLIX. International Painting ex-tempore, was chosen by an international jury and awarded by the Coastal Galleries. It receives by Nicola Tomasi from Gorizia.
C
Justification:
Veliku nagradu 49. extemporaneously Piran like to receive autora NICOLA TOMASI from GORICE sa title Building F4.
They are on kolažiranom slikarskom the dish more still dimension. Rad correlation with začudno architectural, urban okruženje. Author POSTIC seeks to comprehend the drama and provides izrezak, detail mogućeg staff. Uz to intervene to zakošenjem and rhythmical rasporedom ELEMENTS, izazivajući surreal an experience.
I want možemo tumačiti kao artističku interpretaciju glomaznih nečovječnih folk village. She su u practical idea or in practice pokazuju kao inhumane. Jedini individuality of residents in the two men to be iskazana nivoom Driving the or Lift shutting and opening or closure of an prozorskih orifice. Author initiates spoznaju that we are forced to ukutijavanje: boxes with live Kojima, Kojima boxes in the drive, u koje boxes looking to us to go and were taken in a box.
Grand Prix 49th extemporaneously Piran receives Nicola Tomasi from Gorizia to work, titled Building F4.
It is kolažirano painting work of large dimensions, which is reminiscent of the unusual architectural urban environment. The author wishes to recess detail, a scene, to achieve dramatic impression. The oblique schedule and rhythmical elements of the challenge surreal experience. The work can be interpreted as an artistic interpretation of large, ill conceived, residential areas, otherwise the idea can be practical, but in everyday life appear to be inhumane and disposed of. The only individual move by their residents is lowering and raising the blinds or opening and closing the window openings.
Author us with our work trying to provide a different viewpoint of modern life and its limitations: it leads us to the conclusion that we are forced to live and move in a more or less large containers in which we are finally carried away.
Il premio Grand Prix della 49esima edizione della Ex Tempore di Pirano, lo vince Nicola Tomasi di Gorizia con l'Opera gave titolo Building F4.
E 'un'opera pittorica a collage a tecnica mista di Grandi Dimensioni, che ci riporta ad uno spazio di architettura urban. L'autore vuole dare un senso drammatico mostrandoci un un dettaglio di Fermo immagine; con il rigors delle prospettiva diagonal, ci suggerisce un senso surrealistico.
L'artistica interpretazione ci porta ad analizzare la quotidianita 'delle abitazione urban, mentre la realta "non e' proprio quest. L'unica personalizzazione Uman che gli possono dare ABITANTI di Quest "cubi di cemento" e "alzar on abbassare la tapparella, chiudere on aprire only finestre ..
L'autore con la sua opera that ci un nuovo punto di vista sulla codizione Uman e only sue costrizioni: suggerisce ci il fatto che viviamo "inscatolati" guidiamo "inscatolati" finiamo e la nostra vita "inscatolati".
XLIX. MEDNARODNI SLIKARSKI EX-TEMPORE
Razstavljena dela
Mestna galerija Piran
6. september-5. oktober 2014
MAKSIMILJANA IPAVEC
MATEJ PEČENIK Ribič v pokoju
MATJAŽ BOROVNIČAR Terra, acqua,.. NAGRAJEN S Častna priznanja žirije
METKA PEPELNAK Utrip mediterana
MICHEL DOMINIQUE La ronde des ames
MILAN MARIN Brez naslova
MILAN PLUŽAREV Odsev
MILENA KOFOL Piranske strehe
MILENA ROŠTOHAR Zapisi neke zgodbe
MILOŠ DEKIĆ Soline - a ‘14
MIRJANA MATIĆ Povratak slikarstvu
NATAŠA BEZIĆ Soline
NECA FALK Potapljač Mirko
NEVA PIZZUL Anatomija ljubavi
NIKOLA RAŽOV Luna
NINA KOŽELJ Dama
PAOLO BONIFACIO Continuita`
PARIDE DI STEFANO Underthewater
PAVLE ŠČURK Piranski mandrač
PETAR LAZAREVIĆ Impresije iz Pirana
PETER CIUHA Sanje
PETER KARGER The fairy King is Dreaming of Piran
PRIMOŽ BRECELJ Prepletanje
ROK KLEVA IVANČIĆ Bobi
SABINA ŠINKO Lampeduza, 22. julij 2012
SARA DOMNIK Pasja ljubezen
SAŠA GAJŠEK Dnevnik piranskega škržata
SILVANA KONJEVODA Jutro v Piranu
SIMON KASTELIC selfi_z_obale.jpg
STANE PETROVIČ ČONČ Mrtvi privezi
ŠTEFAN BREZOVNIK Bilo je in še bo
TEA BIČIĆ U pozadini
ULLA ŽIBERT Blu is the warmest color
URŠA ŽAJDELA HROVAT Piranska ulica
VALENTINO VIDOTTI Valico a est
VANJA REPIČ Morje
VOJKO GAŠPERUT Soline 2014
ZDENKA PETEK Noč v solinah
ZLATKO PRAH Amore mio
ZVJEZDANA MARGUŠ PROHASKA Morje
YLENIA ŽIBER Utopljen
Z očitki, da je delo, ki ga je strokovna žirija piranskega ex-tempora nagradila, plagiat, so se v Obalnih galerijah soočili že lani, ko je piranski akademski slikar Matjaž Borovničar opozoril na spornost slike Mateja Čepina. Njegovo delo The Storm naj bi bilo plagiat fotografije Infectious PneumoniaAndresa Serrana. Na vprašanje, ali tovrstni primeri škodujejo ugledu piranskega Ex-tempora, najstarejše tovrstne prireditve v Evropi, Jelka Pečar, v.d. ravnatelja Obalnih galerij, odgovarja, da predvsem dvignejo precej medijskega prahu. Kot je dodala, pravilnika o sodelovanju na Ex-temporu Piran ne nameravajo bistveno spreminjati. Razmišljajo pa, da bi v prihodnje sodelujočim avtorjem v podpis predložili izjavo, s katero bi slikarji potrdili, da je delo, ki so ga oddali, avtentično.
MAKSIMILJANA IPAVEC
The allegations that the work done by the jury Piran ex-tempore award, plagiarism, are in the Coastal Galleries faced last year, when the Piran painter Matjaž Borovničar warned that pictures of Matej Cepin. His work The Storm would be plagiarism photos Infectious PneumoniaAndresa Serrana. Asked whether such cases damage the reputation of Piran Ex-tempore, the oldest such events in Europe, Spruce Pečar, vd Principal Coastal Galleries, contends that much of the media in particular, raise dust. As she said, the rules on cooperation in the Ex-tempore Piran does not intend to make substantial amendments. Considering, however, that in future entrants to the signature submitted a declaration to the painters confirmed that the work they have made, authentic.
Maximilian Ipavec
http://www.primorske.si/
http://www.delo.si/
Ex-tempore: Razgaljeni novi mojstri
Dobitnik letošnje nagrade je 54-letni Nicola Tomasi iz Gorice.
Boris Šuligoj, Koper
sob, 06.09.2014, 21:22
Ključne besede: [Delosled] Ex-tempore
Ex-tempore: Razgaljeni novi mojstri
Grand prix (okna) in Nives Marvin ter Bogdana Kovač. Foto: Boris Šuligoj/Delo
Piran – Building 4 je naslov slike, za katero je 54-letni Nicola Tomasi iz Gorice prejel grand prix letošnjega 49. mednarodnega slikarskega praznika ex-tempore v Piranu. Nagrado sta mu danes zvečer na Tartinijevem trgu podelila predsednik mednarodne žirije Eugen Borkovsky iz Hrvaške in Lilijana Stepančič, ravnateljica Obalnih galerij Piran, ki so uspešno izpeljale še vedno najbolj množično tovrstno prireditev v Evropi.
Na ex-tempore se je prijavilo 248 umetnikov iz 11 držav, ki pa so oddali le 219 del, kar je občutno manj kot v časih najbolj množičnih prireditev pred nekaj leti, ko se je prijavilo po 350 in več avtorjev. Kriza verjetno vpliva tudi na ustvarjanje oziroma na ambicije ustvarjalcev. Približno tretjina avtorjev je akademsko šolanih, toda akademska izobrazba ni vedno pogoj za uspeh. Letos so podelili 22 nagrad za slike in tri nagrade za izdelke iz keramike, skupaj je bilo podeljenih za več kot 20.000 evrov nagrad. Prvič sta se za podelitev velike odkupne nagrade (poleg piranske občine) odločili tudi Občina Koper in Komunala Koper, kar je zasluga svetovalca koprskega župana (G. G. Mišiča). V Mestni galeriji Piran so razstavili 93 izbranih in seveda vseh 22 nagrajenih del, v prostorih in vrtovih nekdanjega piranskega vrtca (ki je zdaj last piranske župnije) pa so predstavili preostalih nekaj več kot sto del, ki se niso uvrstila v ožji izbor.
Nicola Tomasi je stari znanec žirije piranskega ex-tempora, saj je že prejemal nagrade. Letošnje nagrajeno delo Building pa mu je prineslo 2000 evrov nagrade. Kolažirana slika upodablja sodobno arhitekturno okolje. »S svojim abstraktnim delom poskuša avtor posredovati zorni kot sodobnega človeka in omejitve, ki mu jih takšno življenje postavlja,« je zapisano v obrazložitvi žirije za podeljeni grand prix.
Nagrado za najboljše delo mladega avtorja (do 35 let) je žirija podelila Nini Koželj (likovni pedagoginji) iz Strahovice za delo Dama. »Z risbo krokija poskuša avtorica problematizirati osebno stisko. Avtorica uporablja preprost in spontan likovni jezik, ki spominja na otroški rokopis. In ravno v tej neposrednosti je prepričljiva s svojo stvaritvijo,« je ugotovila žirija. Podelile še častna priznanja osmim udeležencem, ta so prejeli: Igor Lekšič, Jure Zrimšek, Burhan Hadžialjević, Matjaž Borovničar, Silvana Konjevoda, Peter Ciuha, Matej Pečenik, Metka Pepelnak in Branka Pirca.
Hkrati so v Galeriji Hermana Pečariča razstavili 33 od 55 del 15. mednarodnega ex-tempora keramike, kjer je najvišjo nagrado Obalnih galerij žirija podelila Mladenu Ivančiću iz Opatije.
Ex-tempore: exposes new masters
The winner of this year's award, 54-year-old Nicola Tomasi from Gorizia.
Boris Šuligoj, Koper
rooms, 06/09/2014, 21:22
Keywords: [Delosled] Ex-tempore
Ex-tempore: exposes new masters
Grand prix (windows) and Nives Marvin and Bogdan Kovac. Photo: Boris Šuligoj / Work
Piran - Building 4 is the address of the image, which is a 54-year-old Nicola Tomasi from Gorizia received a grand prix this year's 49th international painting ex-tempore holiday in Piran. The award was him tonight at Tartini Square presented by the President of the international jury Eugen Borkovsky in Croatia and Lilijana Stepančič, Principal of Piran Coastal Galleries, which have successfully carried out the still the most widely-kind event in Europe.
On the ex-tempore it has registered 248 artists from 11 countries who have awarded only 219 works, which is significantly less than in times of most major events a few years ago, when he registered 350 or more authors. The crisis may also affect the creation or to the ambitions of the creators. About a third of the authors are academically trained, but academic education is not always a prerequisite for success. This year they awarded 22 prizes for pictures and three awards to products made of ceramics, were awarded a total of more than € 20,000 prize. New are Awarding large purchase prizes (in addition to the municipality of Piran) decided the Municipality of Koper and Koper municipal, thanks to the adviser to the mayor of Koper (GG muscle). The Town Gallery Piran were exhibited 93 selected and, of course, all 22 award-winning works in the rooms and gardens of the former kindergarten Piran (which is now owned by the Piran parish) presented the remaining little more than a hundred works, which were not shortlisted.
Nicola Tomasi is an old acquaintance of the jury ex-tempore Piran, as he has already received awards. This year's award-winning Building work she brought him $ 2,000 prize. Kolažirana painting depicts a modern architectural environment. "With his abstract work the author tries to provide viewing angle of modern man and the limits which it sets such a life," she stated in the explanatory statement to the jury awarded a grand prix.
The award for the best work of a young author (under 35 years), the jury awarded Nini Koželj (art teacher) from Strahovica to work Dama. "By drawing krokija author tries to problematize personal distress. The author uses a simple and spontaneous visual language that resembles the children's handwriting. And precisely this immediacy is convincing with its creation, "he concluded the jury. Grants still honors eight participants that have received Igor Lekšič, Jure Zrimšek, Burhan Hadžialjević, Matjaž Borovničar, Silvana Konjevoda, Peter Ciuha, Matej Pečenik, Metka Pepelnak and Branka Pirc.
At the same time Herman Pečarič Gallery exhibited 33 of 55 part of the 15th International ex-tempore of Ceramics, which is the highest award of the Coastal Galleries jury awarded Mladen Ivančiću from Opatija.
http://www.primorske.si/
“Morski čudež je pristen”
nedelja, 20. september 2015, 06:00
Strokovna žirija jubilejnega, 50. mednarodnega slikarskega Ex-tempora Piran je častno priznanje za mladega avtorja podelila sliki Miracolo di mare (Morski čudež)avtorice Petje Novak. Po podelitvi pa je zaokrožilo anonimno pismo, ki je postavilo pod vprašaj izvirnost dela; opozarja namreč na veliko podobnost z avtorsko zaščiteno sliko iz serije Matchbox, ki jo je ameriška likovna ustvarjalka Erin Ashley naredila pred štirimi leti. Mednarodna strokovna žirija, ki ji predseduje Aleksander Bassin odgovarja: delo Novakove je avtentično.
PIRAN, LJUBLJANA > Sliki Erin Ashley in Petje Novak laičnemu očesu ne vzbudita veliko dvomov; tako kompozicijsko kot tudi barvno sta si izjemno podobni. To pa za odločitev, ali gre za plagiat ali ne, ni dovolj: “Slika Petje Novak je njeno avtentično delo, kar je žirija lahko ugotovila, potem ko je preverila avtoričino bogato likovno gradivo, izraženo v osnutkih, ki jih je pripravljala ves čas, dokler ni prišla do končne izvedbe, ki po izraziti figuralni motiviki (zlasti plavajočega kita, morske favne in flore) temelji na izročilu o nasedlem kitu v 16. stoletju v Piranu. Podnaslovitev Miracolo di mare je verbalni povzetek iz te legende,” je v imenu mednarodne strokovne žirije, ki je presojala o letošnjih delih na slikarskem Ex-temporu, zapisal njen predsednik Aleksander Bassin.
Glede očitkov o podobnosti, vprašanja o preverjanju izvirnosti in kriterijih izbora žirija meni, da je po postmoderni in v postmedijski umetniški paradigmi govorjenje o plagiatu nesmiselno: “Umetniki imajo svobodo preinterpretiranja, citiranja, apropriiranja ... po principu prehajanja med mediji in svobodnega povzemanja v univerzumu podob.” Sliki Petje Novak tako ostaja častno priznanje, prav tako bo Miracolo di mare še naprej del razstave, ki je v piranski Mestni galeriji na ogled do 3. oktobra.
Delo ameriške umetnice je leta 2012 kuratorica Paola Trevisan uvrstila na mednarodno umetniško razstavo Liberated Dreams; med drugim je objavljeno na plakatu in na naslovnici kataloga te razstave, na kar je medije in žirijo opozoril avtor anonimnega pisma. Petja Novak zagotavlja, da dela Ashleyjeve doslej ni poznala. “Izhajala sem iz neke svoje stare slike, na kateri sem upodobila surferja na valovih,” pojasnjuje študentka tretjega letnika kiparstva na ljubljanski Akademiji za likovno umetnost. Povedala je, da je sliko Miracolo di mare delala v Piranu, kjer sicer preživlja poletja, in vanjo vključila detajle, ki jih videva - angleško petjambornico, ki pogosto pripluje v piranski mandrač, staro cipreso, piransko hiško, puhaste oblake pred nevihto ... ter vse to beležila v svoj risarski dnevnik in za sliko pripravila več skic. Navdih za naslov je našla v stari piranski legendi Miracolo di mare - ta pripoveduje o kitu, ki je v piranski zaliv priplaval v 16. stoletju.
Z očitki, da je delo, ki ga je strokovna žirija piranskega ex-tempora nagradila, plagiat, so se v Obalnih galerijah soočili že lani, ko je piranski akademski slikar Matjaž Borovničar opozoril na spornost slike Mateja Čepina. Njegovo delo The Storm naj bi bilo plagiat fotografije Infectious PneumoniaAndresa Serrana. Na vprašanje, ali tovrstni primeri škodujejo ugledu piranskega Ex-tempora, najstarejše tovrstne prireditve v Evropi, Jelka Pečar, v.d. ravnatelja Obalnih galerij, odgovarja, da predvsem dvignejo precej medijskega prahu. Kot je dodala, pravilnika o sodelovanju na Ex-temporu Piran ne nameravajo bistveno spreminjati. Razmišljajo pa, da bi v prihodnje sodelujočim avtorjem v podpis predložili izjavo, s katero bi slikarji potrdili, da je delo, ki so ga oddali, avtentično.
MAKSIMILJANA IPAVEC
Sunday, September 20, 2015, 06:00
The expert jury of the jubilee, the 50th international painting ex-tempore Piran is an honorary award for young author granted FIG Miracolo di Mare (Sea miracle) authors Singing Novak. After the ceremony was complemented by an anonymous letter, which called into question the originality of the work; It draws attention to the fact a lot of similarity with copyrighted image from Matchbox series by the American art artist Erin Ashley did four years ago. The international jury, chaired by Aleksander Bassin responds: Labour Novak is authentic.
PIRAN, LJUBLJANA> Photo Erin Ashley Novak Singing and non-expert eye does not attract a lot of doubts; both compositionally as well as the color they're very similar. This is to determine if there is plagiarism or not, is not enough: "Figure Singing Novak its authentic work, which the jury can be found after verifying the author's rich visual material, expressed in the draft, which was prepared at all times, until it came to the final implementation, which express the figural motifs (especially floating whale, marine fauna and flora) is based on the tradition of the stranded whale in the 16th century in Piran. Subtitling Miracolo di Mare is a verbal summary of this legend, "on behalf of the international jury, which is assessed on the year's work on the Ex-tempore, wrote its president Aleksander Bassin.
Concerning the allegations of similarity, the question of verifying the originality and selection criteria, the jury considers that the post-modern and artistic paradigm in Postmedial talking about plagiatu absurd: "Artists have the freedom preinterpretiranja, citations, apropriiranja ... the principle of transition between the media and the freedom to summarize in images of the universe. "Figure Singing Novak remains Merit, also will Miracolo di mare continue to be part of the exhibition, which is in the Piran City Gallery on display until 3 October.
The work of the American artist's 2012 curator Paola Trevisan ranks of international art exhibition Liberated Dreams; among other things, it is published on a poster and on the cover of the catalog of the exhibition, in which the media and the jury noted the author of the anonymous letter. Singing Novak ensure that labor Ashley has not known before. "I proceeded from some of their old pictures, where I portrayed surfer on the waves," explains a third year student of sculpture at the Academy of Fine Arts. She said that the image Miracolo di mare worked in Piran, which otherwise is summer, and integrate the details of which are seeing - English petjambornico, which often arrives in the Piran harbor, the old cypress, Piran house, fluffy clouds before the storm ... and all this is recorded in his diary and drawing the image produced several sketches. The inspiration for the title is found in the old Piran legend Miracolo di mare - this tells the story of the whale that swam in the Bay of Piran in the 16th century.
The allegations that the work done by the jury Piran ex-tempore award, plagiarism, are in the Coastal Galleries faced last year, when the Piran painter Matjaž Borovničar warned that pictures of Matej Cepin. His work The Storm would be plagiarism photos Infectious PneumoniaAndresa Serrana. Asked whether such cases damage the reputation of Piran Ex-tempore, the oldest such events in Europe, Spruce Pečar, vd Principal Coastal Galleries, contends that much of the media in particular, raise dust. As she said, the rules on cooperation in the Ex-tempore Piran does not intend to make substantial amendments. Considering, however, that in future entrants to the signature submitted a declaration to the painters confirmed that the work they have made, authentic.
Maximilian Ipavec
http://www.delo.si/novice/
Piranskemu ex-temporu se je zgodil slikarski čudež
Podobnost slik Slovenke in Američanke je očitna, a žirija je odločila, da je delo Petje Novak avtentično.
Boris Šuligoj, Koper Delo
sob, 19.09.2015, 09:00
Ključne besede: [Delosled] Ex-tempore, [Delosled] Petja Novak, [Delosled] avtentičnost, [Delosled] goljufija, [Delosled] Erin Ashley, [Delosled] slikarstvo
Piranskemu ex-temporu se je zgodil slikarski čudež
Slika Miracolo di Mare Petje Novak. Foto: Boris Šuligoj /Delo
Piran - Na piranskem Ex temporu nagrajena slika Miracolo di mare Petje Novak je nezmotljivo podobna delu ameriške umetnice Erin Ashley plagiat. Toda predsednik mednarodne žirije Aleksander Bassin je plagiatorstvo zanikal in zatrdil, da je slika avtentično delo študentke kiparstva na akademiji za likovno umetnost Petje Novak.
Petja Novak je na nedavnem, 50. mednarodnem slikarskem Ex-temporu v Piranu prejela častno priznanje za najboljše delo mladega avtorja, starega do 35 let. Anonimneži pa so nas opozorili, da je nagrajeno piransko delo neverjetno podobno originalu ameriške umetnice Erin Ashley s Floride, oziroma da gre za plagiat.
»Če komisija ne bo reagirala, se bojimo, da bo Ex-tempore počasi izgubljal na kredibilnosti. Ni namreč pošteno do drugih avtorjev, ki so na platno prenesli svoje lastne ideje in ne le kopirali zamisli drugih. Mladi »avtorici« pa bo ta uspeh dal krila za bodoče copy-paste, če bo živela v prepričanju, da nihče ni opazil njenega plagiatorstva,« pišejo anonimni avtorji pisma.
Za komentar smo povprašali Petjo Novak, ki je dejala, da je bila ob teh očitkih povsem šokirana.
Ex-tempore Piran has occurred painting miracle
Pictures Similarity Slovenke and American women is obvious, but the jury decided that the work of Singing Novak authentic.
Boris Šuligoj, Koper Work
rooms, 09/19/2015, 09:00
Keywords: [Delosled] Ex-tempore, [Delosled] Petya Novak [Delosled] authenticity, [Delosled] cheat [Delosled] Erin Ashley [Delosled] painting
Ex-tempore Piran has occurred painting miracle
Figure Miracolo di Mare Singing Novak. Photo: Boris Šuligoj / Work
Piran - Piran Ex tempore award-winning picture Miracolo di mare Singing Novak is unmistakably similar to the work of the American artist Erin Ashley plagiarism. But the president of the international jury Aleksander Bassin is denied plagiarism and claimed that the picture is authentic student work in sculpture at the Academy of Fine Arts Singing Novak.
Singing Novak is recent, the 50th International Ex-tempore Piran received an honorable mention for the best work of young authors aged up to 35 years. Anonymous, we were warned that the award-winning Piran work incredibly similar to the original American artist Erin Ashley from Florida, or that it is plagiarism.
"If the Commission does not react, we fear that the Ex-tempore slowly losing its credibility. It is not fair to other authors who have transferred to canvas their own ideas and not just copy the ideas of others. Young "author" but this success gave wings to the future, copy-paste, if you will live in the belief that no one noticed her of plagiarism, "the authors write anonymous letters.
For comments, we asked Petja Novak, who said that he was taking these allegations completely shocked.
http://
Slikarska žirija nagradila plagiat?!
Objavljeno: 22.09.2015 08:36Posodobljeno: 22.09.2015 08:36
Avtor: Tomica Šuljić
Ključne besede: Delosled: Petja Novak Petja Novak, Delosled: slika slika, Delosled: plagiat plagiat
Na festivalu Ex-tempore priznanje za sliko, ki je skoraj identična sliki Američanke.
Art jury awarded plagiarism ?!
Posted: 09/22/2015 08:36 Updated: 09/22/2015 08:36
Author: Tomica Šuljić
Keywords: Delosled: Petya Petya Novak Novak, Delosled: image image Delosled: plagiarism plagiarism
The festival Ex-tempore award for an image that is almost identical to the American image.
http://www.rtvslo.si/blog/
Nagrajen plagiat
Saj ne, da bi me dajala nevoščljivost. Prebral sem članek v Slovenskih novicah in nagrajeni deklič se mi je malce zasmilil.
V kategoriji mladih avtorjev do 35 let je na letošnjem EX TEMPORU Piran 2015 "zablestela" avtorica Petja Novak s sliko, za katero se je ugotovilo, da je čisti plagiat. Članka na spletu še ni mogoče prebrati, pa prilagam kar njeno fotografijo iz FB.
Kaj si ob tem mislim?
Vsa čast strokovni žiriji z Aleksandrom Bassinom na čelu, saj zna razpoznati tisto, kar je dobro med množico oddanih del. Ne gre jim zameriti, da plagiatorstva sami niso zaznali. Ker pa vsi ljudje vse vedo, goljufija ne more ostati dolgo skrita.
Nič ni narobe, če se od drugih avtorjev česa naučimo, kakšno podrobnost uporabimo in jo vgradimo v svoje delo. Če pa kopiramo je prav, da to ob delu jasno zapišemo.
awarded plagiarism
Not that I would give envy. I read an article in the Slovenian news and girls are rewarded me a little pitied.
In the category of young authors up to 35 years at this year's Ex tempore Piran in 2015 "blazes" Petya Novak author of the image, which was found to be pure plagiarism. Articles online still can not read, but which attach her photo from the FB.
What are we having this mean?
Congratulations jury with Alexander Bassinom at the helm, because he knows how to identify what is good among the plurality of the votes. It is not about blame them that plagiarism itself has been detected. However, since all the people all know that fraud can not remain hidden long.
There is nothing wrong if the other authors of what we learn some details of the application and installed it in its work. However, if the copying is right that this is the work clearly written.
http://
Dobil sem pisemce ...
Tale naslov sem izbral iz prve kitice narodne pesmi z enakim naslovom. Da bi ne bilo morebitnih očitkov ...
*
Nemalo sem bil presenečen danes zjutraj, ko sem odprl pismo, v njej pa list papirja z natisnjenim zapisom upokojenega muzejskega svetnika Andreja Medveda, objavljenim v časopisu Delo v rubriki "Prejeli smo".
Neznanemu pošiljatelju se za pisemce prav lepo zahvaljujem!
Zapisa v Delu nisem prebral, pa mi je takole servirano prišlo kar prav.
Z gospodom Medvedom pa bi se lahko strinjal le delno.
Postmoderna je res en velik hudič, saj v njej ni nobenih pravil. Bassin ima prav, ko pravi, da je v njej čisto vse mogoče, sam pa se sprašujem, če je morda s tem tudi čisto vse dovoljeno?
Slike Erin Ashley v naravi nisem videl, njenih dimenzij ne poznam, sem se pa od blizu soočil s sliko Petje Novak. Drži tisto, o kromatičnih odnosih, kompozicijski zasnovi, morda merah, v detajlih pa sta si sliki močno različni. Na Ashleyevi sliki verjetno ni nalepljenih pozlačenih, zdrobljenih hišic morskega ježka, tam na dnu je simbolično prikazan kit, ribica, na sliki ni ob robu naslikanih črnih številk in tudi pozlate na posameznih segmentih slike verjetno na originalu ni. Modra lisa z okorno naslikanimi valovi je detajl, ki bi ga na Ashleyevi sliki zaman iskali. Torej o identičnosti tu ne more biti govora.
Sprašujem pa se, do kam lahko seže avtor nekega dela pri iskanju ideje za svoje stvaritve. Drug od drugega se učimo, drug drugemu dajemo neka nova spoznanja iz njih črpamo ideje, jih seveda včasih tudi uporabimo in nadgrajujemo. Popolna kopija nekega dela, pod katero zapišemo svoje ime, vem, ni dopustna. Kopija originala s podpisom vred z namenom, da bi jo prodali, kot avtentično delo, tudi ne. Kje je torej meja?
Morda ni prav, da se avtorica nagrajenega dela spreneveda češ, da slike Ashleyeve sploh ne pozna, prav tudi ni, da trdimo, da sta sliki popolnoma identični, ker to nista.
Ali je prav, da je bila nagrajena, to pa ve samo gospod Bassin, člani žirije in morda še kdo.
I got a note ...
Tale title I chose the first verse of the national poem of the same title. It would not be any complaints ...
*
Factional I was surprised this morning when I opened the letter and it has a sheet of paper with a printed record of retired museum councilor Andrej Medved, published in Delo newspaper under the heading "We've received."
Unknown sender for chit very nice thank you!
Record in Part I read, but I like this served there as well.
With Mr. Bear could be agreed only in part.
Postmodernism is really one big devil, because there are no rules. Bassin is right when he says that there can be everything, but I wonder if it might thus everything allowed?
Pictures Erin Ashley in kind not seen, its dimensions do not know, but I have seen up close the picture Singing Novak. It is true that, on chromatic relationships, composition, design, maybe rates in detail but they're significantly different picture. On Ashleyevi figure is probably not affixed gold, broken homes sea urchin, there at the bottom of the symbolically illustrated kit fishy in the picture is not at the edge of the painted black numbers and gilding on individual segments of the picture probably not original. Blue spot with clumsy painted waves is a detail that would be in vain looking Ashleyevi picture. So the sameness there can not be a speech.
I wonder how far you can reach the author of a work in finding ideas for your creations. One another, we learn, we give each other some lessons we draw from them ideas, of course sometimes used and upgraded. A complete copy of a work, on which is written his name, I know, is not permitted. A copy of the original with the signature value in order to sell it as an authentic work, either. So where does the line?
Maybe not right to be the author of the award-winning work pretends saying that pictures Ashley does not know, it is not to say that the images are completely identical, because they are not.
Is it right that has been awarded, and that he knows only Mr. Bassin, jury members and perhaps someone else.
NOBEN NI ODGOVOREN IN NOBEN NE ODGOVARJA ZA RAZSTAVITEV IN NAGRAJEVANJE PLAGIATOV V OBALNIH GALERIJAH PIRAN
ODGOVOR MINISTRSTVA ZA KULTURO
1. okt.2015
Spoštovani g. Matjaž Borovničar,
najprej naj vas opozorim na dejstvo, da je rok državnih organov za odgovor posameznikom 15 dni. V nadaljevanju vam posreedujemo kratko informacijo v odgovor na vaša vprašanja, če pa želite podrobnejši odgovor s pravnimi podlagami, nam sporočite.
Prejeli smo vaša e-sporočila z izpostavljeno problematiko avtorskih pravic in kodeksa oblačenja. V primerih kršenja avtorskih in sorodnih pravic Ministrstvo za kulturo ni pristojni organ. Oškodovanec lahko ukrepa skladno z zakonodajo, ki ureja avtorske pravice. Organizator ali posrednik v takšnih primerih sam določi pogoje in ukrepe, s katerimi skuša preprečevati kršenje avtorskih pravic ali pa se zavaruje pred zlorabo.
V zvezi s kodeksom oblačenja je pristojna pravna oseba pri kateri je oseba zaposlena, Javni zavod je samostojna pravna oseba, ki poseduje vse podatke o morebiti sprejetih pravilnikih in določilih, ki so jih zaposleni dolžni upoštevati. Predlagamo vam, da v zadevi kontaktirate vodstvo javnega zavoda.
Lep pozdrav
mag. Marija Brus
sekretarka
REPUBLIKA SLOVENIJA
MINISTRSTVO ZA KULTURO
DIREKTORAT ZA KULTURNO DEDIŠČINO
Sektor za muzeje, arhive in knjižnice
Maistrova ulica 10, SI-1000 Ljubljana, Slovenia
29. sep.2015
Spoštovani,
zakonsko določen rok za odgovor je 15 dni. Ko dobim informacije od ustrezne službe, vam jih posredujem.
Lep pozdrav,
Judita Krivec Dragan
sekretarka
ln_podpis
REPUBLIKA SLOVENIJA
MINISTRSTVO ZA KULTURO
DIREKTORAT ZA USTVARJALNOST
sektor za umetnost
Maistrova ulica 10, 1000 Ljubljana, Slovenija
Judita.Krivec-Dragan@gov.s
15.10.2015
Za Marija.Brus, Biserka.Mocnik, Vesna.Jurca-Ta., meni
Spoštovani,
kot vam je že napisala gopa Marija Brus, Ministrstvo za kulturo nima zakonskih podlag, da bi sprožilo kazenski postopek zoper domnevnega palgiatorja oziroma organizatorja prireditve, na keteri je bil ta domnevni plagiat prezentiran. Vsekakor je na avtorici, da ustrezno zaščiti svoje avtorske pravice. MK bo z vašim pismom seznanilo člane strokovne komsiije, ki presoja program Obalnih galerij Piran.
Lep pozdrav,
Judita Krivec Dragan
sekretarka
ln_podpis
REPUBLIKA SLOVENIJA
MINISTRSTVO ZA KULTURO
DIREKTORAT ZA USTVARJALNOST
sektor za umetnost
Maistrova ulica 10, 1000 Ljubljana, Slovenija
V SLOVENIJI NI NOBEN ODGOVOREN
NOBEN NEVE NIČ
KDO JE ODGOVOREN ZA RAZSTAVITEV IN NAGRAJEVANJE PLAGIATOV,
PROSIM ČE MI ODGOVORITE V.D. JELKA PEČAR.
NOTHING IS NOT RESPONSIBLE AND WILL NOT BE LIABLE FOR ANY disassembly and reward plagiarism in Piran Coastal Galleries
REPLY BY THE MINISTRY OF CULTURE
1. okt.2015
Dear Mr. Matjaž Borovničar,
first let me draw your attention to the fact that the hands of state authorities for responding to individuals for 15 days. Below we posreedujemo brief information in response to your questions, but if you want a more detailed response to legal grounds, let us know.
We have received your email with the exposed problems of copyright and dress code. In cases of copyright and related rights Ministry of Culture is the competent authority. The injured party may act in accordance with the law governing copyright. The organizer or intermediary in such cases, it may determine the conditions and measures in an attempt to prevent copyright infringement, or to safeguard against abuse.
With regard to the dress code of responsible legal person in which the person is employed, The Public Service is an independent legal entity that holds all the information about possibly adopt policies and conditions by employees are required to comply. We suggest that you contact the case management of the public institution.
Greetings
mag. Mary Brus
Secretary
REPUBLIC OF SLOVENIA
MINISTRY OF CULTURE
Directorate for Cultural Heritage
Sector for museums, archives and libraries
Maistrova Street 10, SI-1000 Ljubljana, Slovenia
29 sep.2015
Dear Sir,
the legal deadline for response is 15 days. When I get information from the relevant service they provide.
Sincerely,
Judith culprit Dragan
Secretary
ln_podpis
REPUBLIC OF SLOVENIA
MINISTRY OF CULTURE
DIRECTORATE FOR CREATIVITY
Sector for the Arts
Maistrova Street 10, 1000 Ljubljana, Slovenia
Judita.Krivec-Dragan@gov.s
10/15/2015
For Marija.Brus, Biserka.Mocnik, Vesna.Jurca-Ta., Considers
Dear Sir,
as you already wrote GOPA Mary Whetstone, The Ministry of Culture has no legal grounds to institute criminal proceedings against the alleged palgiatorja or organizer at Keter it has been presented the alleged plagiarism. In any case, it authors to adequately protect its copyright. MK to your letter noted members of the Expert komsiije that assessment program Piran Coastal Galleries.
Sincerely,
Judith culprit Dragan
Secretary
ln_podpis
REPUBLIC OF SLOVENIA
MINISTRY OF CULTURE
DIRECTORATE FOR CREATIVITY
Sector for the Arts
Maistrova Street 10, 1000 Ljubljana, Slovenia
https://www.pinterest.com/
https://www.pinterest.com/
http://erinashleyart.com/
http://andresserrano.org/
http://www.artnet.com/awc/
http://
https://en.wikipedia.org/
https://www.etsy.com/shop/
http://www.delo.si/novice/
RES ČUDEŽ,VIZIJA....
Piran - Piran Ex tempore award-winning picture Miracolo di mare Petja Novak is unmistakably similar to the work of the American artist Erin Ashley plagiarism. But the president of the international jury Aleksander Bassin is denied plagiarism and claimed that the picture is authentic student work in sculpture at the Academy of Fine Arts Singing Novak.
Singing Novak is recent, the 50th International Ex-tempore Piran received an honorable mention for the best work of young authors aged up to 35 years. Anonymous, we were warned that the award-winning Piran work incredibly similar to the original American artist Erin Ashley from Florida, or that it is plagiarism.
"If the Commission does not react, we fear that the Ex-tempore slowly losing its credibility. It is not fair to other authors who have transferred to canvas their own ideas and not just copy the ideas of others. Young "author" but this success gave wings to the future, copy-paste, if you will live in the belief that no one noticed her of plagiarism, "the authors write anonymous letters.
Surprised artist
For comments, we asked Petja Novak, who said that he was taking these allegations completely shocked. He stated to us that the work Erin Ashley had never even seen from a distance, or whatever you remember, let alone that it would be used for a template of your creation. According to her, this is incredible, miraculous fact, the similarity of two works (and the work of Ljubljana students was formed several years after the work of the American artist) in a single accident.
Singing Novak said that his work layout artist for several months, the last few months a lot of studying the theory of the golden mean, because she had recently exam at the academy that has a whole series of drawings that best demonstrate the gradual emergence and maturation of her artwork and to his work conceived the old story of Piran in the salt pans stranded whale by the old townspeople called Miracolo di Mare (Sea miracle), which is used for the address of your pictures.
No plagiarism, only quote
President of the jury ex-tempore Piran Aleksander Bassin told us to thoroughly discuss with the student and on the basis of her drawings could see how he designed the work. »Photo Singing Novak its authentic work, which the jury can be found after it has verified the author's rich visual material, expressed in the draft, which was prepared at all times, until it came to the final implementation, which the express figural motoviki (especially floating whale, marine fauna and flora) is based on the tradition of the stranded whale in the 16th century in Sečovlje pans. Subtitling Miracolo di Mare is a verbal summary of these legends. "
Concerning the allegations of similarity, originality and selection criteria, the Bassin answered: "After the postmodern and Postmedial artistic paradigm is talking about plagiatu pointless. Artists have the freedom preinterpretiranja, quoting apropriiranja ... the principle of transition between the media and the freedom to summarize the universe of images. The quotation is quite reasonable. Even if it makes someone look completely identical, we can not know exactly what kind of provocation goes. "
Last year, the similarity of problems
The Piran Coastal Galleries have been last received protests at the expense of exhibits (not winning) picture Matej Cepin, which is with oily paints very realistically "reinterpreted" (without any pointed or referred to this) one of the photos of the world famous photographer Andres Serrano (Infectious Pneumonio). Even then, the jury found that this painting perfectly acceptable form of creation, for which they work also exhibited among others, success or artistic searches and experiments, and from there did not withdraw.
Piran - Na piranskem Ex temporu nagrajena slika Miracolo di mare Petje Novak je nezmotljivo podobna delu ameriške umetnice Erin Ashley plagiat. Toda predsednik mednarodne žirije Aleksander Bassin je plagiatorstvo zanikal in zatrdil, da je slika avtentično delo študentke kiparstva na akademiji za likovno umetnost Petje Novak.
Petja Novak je na nedavnem, 50. mednarodnem slikarskem Ex-temporu v Piranu prejela častno priznanje za najboljše delo mladega avtorja, starega do 35 let. Anonimneži pa so nas opozorili, da je nagrajeno piransko delo neverjetno podobno originalu ameriške umetnice Erin Ashley s Floride, oziroma da gre za plagiat.
»Če komisija ne bo reagirala, se bojimo, da bo Ex-tempore počasi izgubljal na kredibilnosti. Ni namreč pošteno do drugih avtorjev, ki so na platno prenesli svoje lastne ideje in ne le kopirali zamisli drugih. Mladi »avtorici« pa bo ta uspeh dal krila za bodoče copy-paste, če bo živela v prepričanju, da nihče ni opazil njenega plagiatorstva,« pišejo anonimni avtorji pisma.
Presenečena umetnica
Za komentar smo povprašali Petjo Novak, ki je dejala, da je bila ob teh očitkih povsem šokirana. Zatrdila nam je, da dela Erin Ashley ni nikoli niti od daleč videla, ali si ga kakor koli zapomnila, kaj šele, da bi ga uporabila za predlogo svojega ustvarjanja. Po njenih besedah je ta neverjetna, pravzaprav čudežna, podobnost dveh del (in delo ljubljanske študentke je nastalo več let po delu ameriške umetnice) eno samo naključje.
Petja Novak je povedala, da je svoje delo snovala več mesecev, da je zadnje mesece veliko študirala teorijo o zlatem rezu, ker je imela nedavno izpit na akademiji, da ima celo vrsto skic, ki najbolje dokazujejo postopno nastajanje in dozorevanje njenega umetniškega dela in da je svoje delo zasnovala na stari piranski zgodbi o pri solinah nasedlem kitu, ki so ga stari Pirančani imenovali Miracolo di mare (Morski čudež), kar je uporabila za naslov svoje slike.
Ne plagiat, le citat
Predsednik žirije piranskega ex-tempora Aleksander Bassin nam je povedal, da se je temeljito pogovoril s študentko in na podlagi njenih skic lahko ugotovil, kako je snovala delo. »Slika Petje Novak je njeno avtentično delo, kar je žirija lahko ugotovila potem, ko je preverila avtoričino bogato likovno gradivo, izraženo v osnutkih, ki jih je pripravljala ves čas, dokler ni prišla do končne izvedbe, ki po izraziti figuralni motoviki (zlasti plavajočega kita, morske favne in flore) temelji na izročilu o nasedlem kitu v 16. stoletju pri Sečoveljskih solinah. Podnaslovitev Miracolo di mare je verbalni povzetek iz te legende.«
Glede očitkov o podobnosti, izvirnosti in kriterijih izbora pa je Bassin odgovoril: »Po postmoderni in v postmedijski umetniški paradigmi je govorjenje o plagiatu nesmiselno. Umetniki imajo svobodo preinterpretiranja, citiranja apropriiranja... po principu prehajanja med mediji in svobodnega povzemanja v univerzumu podob. Citat je nekaj popolnoma sprejemljivega. Celo če naredi nekdo popolnoma identično podobo, ne moremo natančno vedeti, za kakšno vrsto provokacije gre.«
Že lani težave s podobnostjo
V Obalnih galerijah Piran so že lani prejeli proteste na račun razstavljene (ne pa nagrajene) slike Mateja Čepina, ki je z oljnatimi barvami nadvse veristično »preinterpretiral« (ne da bi to kakor koli poudaril ali na to opozoril) eno od fotografij svetovno znanega fotografa Andresa Serrana (Infectious Pneumonio). Tudi takrat je žirija ugotovila, da je takšno slikanje povsem sprejemljiva oblika ustvarjanja, zaradi katerega so delo tudi razstavili med drugimi uspelimi likovnimi iskanji in poskusi in ga od tam niso umaknili.
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