The exhibition will be on display until 5 August 2015. / La Mostra sara 'visitabile fine al 5 agosto 2015 GALLERY INSULA MATJAŽ BOROVNIČART
"Above the ground, underground, in the light, in the dark"
"Sopra la terra, sotto la terra, nella luce, nel buio"
on Friday, July 10 at 20 pm in the Gallery Insula in Izola.
che si Terrà venerdì, 10 luglio alle ore 20 nella galleria Insula di Isola.Vsekakor the visual arts young
Piran artist Matjaz Borovničarja
research. In accordance with the relentless
gaining experience in the field of open
the possibility certainly at the stage of discovery art
matter and seeking originality of its own
term, but in a certain manner suggests
individaulistično reasoned policies. Thus
is defined thematic design of the cycle,
which puts it in front of an audience gallery Insula
certainly indicative of copyright set.
"Above the ground, underground, in the light of
darkness "is the title under which it develops
design concept, which is a painter for a long time
comprehensively favor. Borovničar always
derived from their own view of the world. In his
art, painting projects, substantive
Asked unusual preoccupation
bipolar: as a general coverage at the same time
Aware of the individual. Perhaps in this
You can talk about the trace of pantheism, perhaps
the foundation, which is based in the philosophy of Romanticism,
Schelling "Naturphilosophie" sublime,
dialectical Darwinism, prerafaelitskemu
symbolism, undoubtedly the artist
Holistic hearing set something
the relationship. The relationship of coexistence of man with himself
each other and nature.
The nature of the Earth, the space that exists,
a space that is realistic objective, but not
definitive, because it is always in between some kind of game.
Borovničar plays with the transition to
a parallel world, which is a mirror of the real. Here
gathering his poetics.
In the embodiment represents display cycle
expected continuous images of the painter
work. Less acrylic canvases and composite
Easily create images formats are in
it standard practice. Image laying
figural elements in the image field
stylistically recognizable. Borovničar develops
interesting surface application figural
character. Very sophisticated made-raster
form, which emphasizes črtnosti, in basis
derives as a set environment where
in terms of the artistic trace on
the surface of the canvas imposes a narrative.
Contrasting exchange of light and shadow, which
in the abstract "area" draws a figure works
instantly, directly through the optical suggestion.
Segment setting art objects here
complex building. Figural beginnings and
metrics chromatic features that are imposed
the subtle expressiveness image of matter,
act in a certain conceptual principle
through structural analysis of artistic fields,
that the processing of the visual display panel opens
visibility, a kind of extended visuals
which makes the facade of the image in its
interior. Narrative, which is largely
carried out in the form of an anthropomorphic and
flower, the vegetative form begins already in
background, deep below the surface, in interesting
chromatic, the small pictorial line
the structure, in the course of composition ...
The entanglement figural mostly advocates
documentary, symbolic hinterland, literary
narrative or historical postulate.
However, the work before us complex
narrative. Borovničar not "kolorističen."
He is a prominent color but smooth dressings,
chromatic picks and peaceful. You could
They said that the link displayed images
atmosphere, a moment of perception of the event.
However, the present picture with its
optical yields light conditions
They focused on the spiritual feeling existential.
Specialty optical illusions in them actualize
experiences that do not entirely objective,
real basics, but put adequate
substantive policies through intimate theorem,
going beyond the awareness of the real. Sensuality and
emotions are of primary importance here. The body
image as a physical object is a special material
reality, which optical inventive narrative
structure, unconsciously makes such a crossing.
In other words, imposition of a visual
suggestions that puts a painter is very open
system as the selected "canons" optical
It allows different visions.

Dejan Mehmedovic

Vabimo vas na otvoritev razstave Siete gentilmente invitati all´inaugurazione della mostra MATJAŽ BOROVNIČAR »Nad zemljo, pod zemljo, v svetlobi, v temi« »Sopra la terra, sotto la terra, nella luce, nel buio«

ki bo v petek, 10. julija ob 20. uri v Galeriji Insula v Izoli.
che si terrà venerdì, 10 luglio alle ore 20 nella galleria Insula di Isola.
Na otvoritvi bo Teja Pribac ob spremljavi kitarista Urbana Logarja zapela izbor jazz standardov in avtorskih pesmi.
All'apertura, Teja Pribac, accompagnata dal chitarrista Urban Logar, eseguira' una scelta
di canzoni di repertorio jazz e canzoni d'autore.Razstava bo na ogled do 5. avgusta 2015./ La mostra sara’ visitabile fino al 5 agosto 2015

Vsekakor je likovnost mladega
piranskega umetnika Matjaža Borovničarja
raziskovalna. V skladu z neustavljivim
pridobivanjem izkušenj je v polju odprtih
možnosti gotovo v fazi odkrivanja likovne
materije in iskanju izvirnosti lastnega
izraza, vendar v določeni maniri nakazuje
individaulistično utemeljeno usmeritev. Tako
je v opredeljeni tematski zasnovi tudi cikel,
ki ga postavlja pred publiko galerije Insula
vsekakor indikativno avtorsko zastavljen.
»Nad zemljo, pod zemljo, v svetlobi, v
temi« je naslov pod katerim se razvija
idejni koncept, ki mu je slikar že dlje časa
obsežneje naklonjen. Borovničar vseskozi
izvira iz lastnega pogleda na svet. V njegovih
umetniških, slikarskih projektih je vsebinska
preokupacija zastavljena nenavadno
bipolarno: kot zajetje splošnega a hkrati v
zavedanju posamičnega. Morda bi pri tem
lahko govorili o sledeh panteizma, morda
o podstati, ki temelji v filozofiji romantike,
Schellingovi »Naturphilosophie«, sublimnem,
dialektičnemu darvinizmu, prerafaelitskemu
simbolizmu, nedvomno pa je v umetnikovi
holistični obravnavi nastavljeno nekaj kar
je odnos. Odnos sobivanja človeka s samim
seboj in naravo.
Narava je Zemlja, je prostor, ki obstaja,
prostor, ki je realen objektiven, vendar ne
dokončen, saj je vmes vedno nekakšna igra.
Borovničar se poigrava s prehajanjem v
vzporedni svet, ki je zrcalo resničnega. Tu se
nabira njegova poetika.
V izvedbi predstavlja razstavljeni cikel
podob pričakovano nadaljevane slikarjevega
dela. Manjša akrilna platna, ki kot sestavljenka
ustvarjajo slike večjih formatov so pri
njem utečena praksa. Slikovno polaganje
figuralnih elementov v polje podobe je
slogovno prepoznavno. Borovničar razvija
zanimivo ploskovno aplikacijo figuralnega
lika. Zelo prefinjeno izgotovljena rastrska
oblika, ki ne poudarja črtnosti, se v podlagi
izpeljuje kot nastavljeno okolje, kjer se
v smislu zastavljenih likovnih sledov na
površini slikarskega platna nalaga pripoved.
Kontrastna izmenjava svetlobe in sence, ki
v abstraktno »področje« zariše figuro deluje
hipno, direktno skozi optično sugestijo.
Segment nastavitev likovnih objektov je tu
kompleksna zgradba. Figuralni zametek in
ritmika kromatičnih danosti, ki se nalagata
v subtilni izraznosti slikovne materije,
delujeta v določenem konceptualnem načelu
skozi strukturno analizo likovnega polja,
ki z obdelavo vizualnega ekrana odpira
vidnost, nekakšno razširjeno vizualnost,
s katero prodira za pročelje slike, v njeno
notranjost. Fabulativnost, ki je večinoma
izpeljana v obliki antropomorfne oziroma
cvetne, vegetativne forme se pričenja že v
ozadju, globoko pod površino, v zametku
kromatičnega, v drobni linijsko pikturalni
strukturi, v poteku kompozicije …
Preplet figuralnega pa večinoma zagovarja
dokumentarnost, simbolno zaledje, literarno
fabulativnost ali historični postulat.
Vsekakor pa so dela pred nami kompleksno
pripovedna. Borovničar ni »kolorističen«.
Je barvno izrazit, vendar uglajeno preliven,
kromatično izbirčen in umirjen. Lahko bi
rekli, da je vezni člen razstavljenih podob
atmosfera, trenutek dojemanja dogodka.
Vsekakor pa so obravnavane slike s svojimi
optičnimi vsebnostmi, svetlobnimi stanji
usmerjene v duhovno občutenje bivanjskega.
Posebnost optične iluzije v njih udejanjenja
doživetja, ki nimajo povsem objektivne,
realne osnove, vendar postavljajo adekvatno
vsebinsko usmeritev skozi intimni izrek,
ki prestopa zavedanje realnega. Čutnost in
čustvenost sta tu primarnega pomena. Telo
slike kot fizičen objekt je posebna materialna
danost, katere inventivna optično narativna
struktura, nezavedno omogoča tak prestop.
Ali drugače rečeno, nalaganje neke vizualne
sugestije, ki jo postavlja slikar je zelo odprt
sistem, saj v izbrani »kanoniki« optičnega
omogoča različna videnja.
Dejan Mehmedovič